3 Simple Words – KEEP AT IT!

How Are You Spending YOUR Time?

 

FoxsFiresides

This is probably the most important message we can share with you during this period of coronavirus self-isolation.

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No matter what this pandemic throws at us, or how long we remain away from close human interaction and participation in our ensembles or classes at the now closed “brick and mortar” schools, let’s keep a focus on maintaining our “chops,” building on our “musical momentum,” and practicing every day.

From an eco-friendly (“save our natural resources”) slant as well as an economist’s perspective, you have invested too much time and money on playing an instrument to give up now! So, nature and the COVID-19 have thrown you a few curve-balls these past seven weeks?

The only way we should respond to the challenge is to meet it head-on!

Take advantage of all of this available “free” stay-at-home time to further your artistic enrichment and make “new and improved” musical goals!

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crying-146425_1280No teacher will have any patience listening to your whining or remarks of “could have,” “would have,” or “should have been” excuses. What have we always wished for? “If only I had enough time to learn that new scale, étude, or song!” “With all of my other academic assignments, sports events, and extracurricular activities, how can I fit in moments for listening to bands, orchestras, or classical virtuoso artists performing on the web?” “When am I ever going to have the chance to compose…” (or “arrange” or “record” or “memorize” or “conduct” or “choreograph”) “…that piece?” “When will I get around to learn this new technique, practice sight-reading, or dive into those drills designed to improve my key literacy, rhythmic precision, tone, intonation, range, form, coordination, embouchure, stick rudiments, or bow control?

The answer is… now only one word: NOW! 

What are you waiting for? You have too much at stake here, and soon, this crisis will pass, and we will all come back together – only much stronger and wiser for making good choices in the use of our time!

SHJOclips

We divided up the SHJO.clips into categories to develop your “well rounded” musicianship:

  • C = Create, invent, explore
  • L = Listen
  • I = Inspire, read, analyze
  • P = Practice, perform
  • S = Share, show others, play for fun

(Download the interactive CLIP JOURNAL here!)

How many of these have you accomplished? In your clip journal, do you show progress in all focus areas? Can you advise SHJO family members and directors on your recommendations on future projects to further our “collective” knowledge, skills, and appreciations in music? (We would LOVE to hear from you!)

Now get out there and learn, create, and share meaningful moments in music!

PKF

 

hi-res logo 2018The mission of South Hills Junior Orchestra, which rehearses and performs at the Upper St. Clair High School in Pittsburgh, PA, is to support and nurture local school band and orchestra programs, to develop knowledge, understanding, performance skills, and an appreciation of music, to increase an individual member’s self-esteem and self-motivation, and to continue to advance a life-long study of music. Members of the Orchestra learn, grow, and achieve positions of leadership to serve their fellow players.

(For more information about SHJO, please visit www.shjo.org.)

This and all Fox’s Fireside blog-posts are free and available to share with other music students, parents, directors, and supporters of the arts.

Click here for a printable copy of this article and the Interactive Clip Journal.

Other “Fox Firesides” are available at https://paulfox.blog/foxs-firesides/.

 

© 2020 Paul K. Fox

Photo credits from Pixabay.com:

“Campfire Stick Fire Flame Camping” by Free-Photos

“Learn Student Laptop Internet” by geralt

“Crying Smiley Emotion Sad” by OpenClipart-Vectors

One Happy But Solitary Retiree

 

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The corona-virus crisis has created a new stay-at-home environment for all of us. With the exception of healthcare appointments, grocery pick-ups, and mail deliveries (as well as a few other essential services), we have been banished to indoors for the most part, allowing only an occasional excursion to go get take-out or walk the dogs.

And, many of us feel a bit claustrophobic and worried about the future!

Do not underestimate the cognitive and emotional load that this pandemic brings, or the impact it will have on your productivity, at least in the short term. Difficulty concentrating, low motivation and a state of distraction are to be expected. Adaptation will take time. Go easy on yourself. As we settle into this new rhythm of remote work and isolation, we need to be realistic in the goals we set, both for ourselves and others in our charge.

— Desiree Dickerson at https://www.nature.com/articles/d41586-020-00933-5

The purpose of this blog is to reflect on the measures we can bolster our sense of well being, stimulate new directions of personal growth, and endure the unpredictable “ups and downs” of this period of mandatory confinement.

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Self-Care and COVID-19

According to mental health providers and experts in wellness such as Geisinger Health, it is important to your overall health to make time for personal self-care.

From watching the news every hour to scrolling social media a little too much, it’s easy to get lost in the noise of what’s going on around us.

And you’re not alone in this.

If you’ve found yourself in an extended state of self-quarantine, there are some simple steps you can take to protect your mental health, in addition to your physical health.

— Geisinger Health at https://www.geisinger.org/health-and-wellness/wellness-articles/2020/03/18/17/56/self-care-during-quarantine

Geisinger recommends these practices of self-care during a quarantine:

  1. Make time to unwind.
  2. Exercise to promote good health.
  3. Be mindful to support your immune system.
  4. Take breaks from the news.
  5. Remind yourself why you are in isolation.

Here are a few more websites that might help if you are feeling depressed, confused, or just not coping well with all the “corona chaos…” (like us all):

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What Are You Waiting For? Just Make Music!

If truth be told, as a writer and a musician, I personally don’t mind having all of this extra time to focus on creative self-expression.

Think about it…

  • What have you always wanted to explore… play… sing… compose… record… conduct… create?
  • When will you finish your own “Mr. Holland’s Opus,” prepare the parts, and eventually have it taught, performed, and/or recorded?
  • When are you going to publish your next song, article, book, warm-ups, instrumental method, essays on pedagogy, musical, drumline feature or halftime show… or write your personal memoirs?

Well, what’s stopping you from devoting yourself to it RIGHT NOW?

As retired music teachers, we have an advantage… avoiding most of the stress that our still-employed colleagues are experiencing, suddenly having to “catch-up” with the technology, search for online music learning tools and lessons for their classes, and facing even more mostly unanswered challenges:

  • How can I care for my music students and the school program from home?
  • What essential learning can/should I offer during the school/activity closures?
  • How can I rehearse my music ensembles?
  • How can we provide meaningful feedback? Should we assess their work?
  • How do I motivate my students to continue their practice or music enrichment?
  • How will I find the mental, emotional, and physical stamina to serve my students during this lock-down without becoming overwhelmed?

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Costs and Risks Associated with All of This “Social Distancing”

Yes, we have ways to stay in touch electronically via text, email, videoconferencing, and social media, but it is not the same. In fact, many studies indicate that the more time we spend on social media, the less happy, less empathetic, and more envious we are.

The very act of meeting face-to-face, making eye-contact, and physically touching nourishes us but also exposes us to the coronavirus. We all know of the infant mortality research that shows babies deprived of physical touch experience development limitations. It is no different for adults. The Atlantic quotes Tiffany Field, the founder of the Touch Research Institute at the University of Miami, in describing the power of physical touch:

“…any pressure or movement on the skin helps increase the activity of the Vagus nerve, which connects to every major organ in the human body. Touch from another human slows down the heart. It goes to the GI tract and helps digestion. It helps our emotional expressions—our facial expressions and our vocal expressions. It enhances serotonin, the natural antidepressant in our system. That vagal activity can also lower a body’s levels of the stress hormone cortisol; cortisol is known to harm the ‘natural killer cells’ that can fight viral, bacterial, and cancer cells.”

Field concludes that as people are now especially stressed over the consequence of the virus, they have even greater need of these valuable effects of touch, now that they are afraid to hug or shake hands as usual.

— Robert Hall at https://ifstudies.org/blog/avoiding-a-relationship-pandemic

Indeed, what I do miss most is the human interaction… the ability to share two-way verbal and musical communication in an ensemble. I long for sharing music with the players in my community orchestra – the South Hills Junior Orchestra – who before the outbreak, rehearsed every Saturday for two hours at my former employment placement, the Upper St. Clair High School. I have to settle for sending them more of my “how-to” music articles (Fox’s Firesides) and basically low-tech “distance learning opportunities” discussed in my last blog here.

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Go-To-Meeting, Google Hangouts/Meeting, or Zoom.com

Zoom is not a great vehicle for a “free and easy” exchange of ideas or being able to “monitor and adjust” the learning of a group of students. We use it, and other choices like Go-To-Meeting and Google Hangouts, because we have to use them. It’s better than nothing. It’s important to at least “check in” with the members of your community, church, or school band, orchestra, or choral ensemble, and give them a chance to talk to one another, if only by allowing the use of the chat feature or unmuting all of their mikes at once. (But, get ready for a loud cacophony of sound!)

Zoom is offering a package that is free as long as you stay under 40 minutes for your virtual meetings of more than two people. The sound (delayed and designed for voice not music) is not great,  and you will need to do a quick study of how to adjust the technology to fit your needs. Several websites offer some advice on adaptations for music educators:

If you are thinking about holding online private music lessons, take a look at my string colleague Susanna Sonnenberg’s article. 

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Don’t Become a “Couch Potato!” Get Active and Stay Active!

What we don’t want to do during this emergency is to spend most of our time watching television. Besides being totally unhealthy, sitting in your easy chair like a lump and watching hours upon hours of generally, in my opinion, totally uninspiring programming, will drain the gray matter from your brain. I don’t know if I could stand watching another PBS broadcast rerun, National Geographic episode, or “Nature” program.

The bottom line: being solitary is not being alone. And even if you are left alone at a given moment, you should not be bored!

“Boredom isn’t good or bad,” said John Eastwood, who runs the Boredom Lab at York University in Canada and is co-author of Out of My Skull, a forthcoming book on boredom. “It’s what we do with that signal.”

That’s a confusing moment, especially amid the pandemic, with news outlets and social media publishing endless lists of things to do with all the newfound time, from the juiciest TV to downloading hours of podcasts — a digital bounty that Newton, thankfully, didn’t encounter.

“When you don’t have a lot going on, you might say, ‘Wow, I’m going to binge watch Netflix. This is perfect,’ ” Eastwood said. “That will get rid of the feeling in the short term. But treating yourself like an empty vessel to fill with a compelling experience makes you more ripe for boredom down the road.”

Why?

“Because what you’ve done,” Eastwood said, “is you’ve failed to become the author of your own life.”

— Michael S. Rosenwald at https://www.washingtonpost.com/local/these-are-boom-times-for-boredom-and-the-researchers-who-study-it/2020/03/27/0e62983a-706f-11ea-b148-e4ce3fbd85b5_story.html

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A Top-Ten List for Retired Music Teachers

So, here are my ten things-to-do when stranded at home during any period of forced inactivity or voluntary self-quarantine:

  1. Use Skype, FaceTime, Zoom, etc. to “call” several loved ones, friends, coworkers, or neighbors in your life, and “check in” with them to see how they’re doing. They would appreciate hearing from you!
  2. Feeling lonely or a little down yourself? Reach out to someone. Studies show that when we connect with someone, we release the hormone oxytocin, a chemical that can actually help repair your heart. Simply talking about our problems and sharing our emotions (positive and negative) with someone you trust can be profoundly healing—reducing stress, strengthening our immune system, and reducing physical and emotional distress.
  3. Practice. No matter your choice of instrumental or vocal self-direction, or exposure to the self-exploration of other art forms like painting, drawing, sculpture, sewing, woodworking, photography, or writing, now is the perfect time to develop greater levels of personal artistry, proficiency, and self-confidence… even to establish new goals/pursuits. I have found that mornings work best for me with anything that requires creativity. (Brainstorming for this blog occurred at 8:20 AM one morning, after sleeping in a little, watching the news, and having my breakfast and coffee).
  4. Go outdoors and exercise. Get your body moving… a little every day! If you are lucky to have a furry pet or two, venture into the neighborhood with them… of course, maintaining “safe social distancing” (even the dogs have to stay 6 feet apart from the two-legged mammals) and adhere to the essential rules of pet walking etiquette and citizenship (mentioned here).
  5. Return to those “old fashioned” leisure activities: listen to your favorite music or read a book. Revisit something from that Hornblower (C. S. Forester) or Tom Clancy series (my frequent “gems”). When I needed a break in college (100+ years ago?), I took the afternoon off, ordered myself a medium pizza (yes – I ate it all!), and then walked to the Oakland branch of Carnegie Library to sit in those wonderfully comfortable high-back leather chairs and pull out one of my “old friends” to read.
  6. In other sections of this blog site (here and here), I have already discussed avenues for developing the right side of the brain, mainly our innate creativity and curiosity quotient. Visit these notable sites: https://nationalcreativitynetwork.org/, https://curiosity.com/, Sir Ken Robinson, Odyssey’s 9 Useful and Inspiring Websites for Creative People, Dr. Curtis Bunk’s old “Best of Bunk” site, and the “pinkcasts” and eBooks of Daniel Pink.
  7. Puzzle doing or making can be a relaxing pastime. Some people like to create them (I drew mazes when I was in grade school), while others try to solve them. My wife can sit for hours completing crossword puzzles or assembling the pieces of a virtual jigsaw puzzle on her iPad. If you like making word games, look at websites like http://puzzlemaker.discoveryeducation.com/ or https://www.puzzle-maker.com. 
  8. If you are in a “tidy mood,” now would be a great time to reorganize, de-clutter, or sort through your closets, cupboards, or drawers. Put aside unused or unneeded clothing for Goodwill or the Salvation Army. Have you indexed your record/CD/DVD collection? One year I alphabetized (by author) and reordered the entire collection of sea books on the shelves in my library (100’s of fiction and nonfiction editions). Do librarians or data base managers get bored easily?
  9. If you are lucky enough to be a pensioner and can rely on a somewhat safe monthly income coming in, you might be surprised that this might be a good opportunity to save money. My wife and I have suddenly stopped going out to our favorite restaurants, which was our usual practice 3-5 times a week. Cooking and eating at home, although raising our grocery budget, has brought down our overall food expenses. Put away a little green every month while eating those healthy greens! And, if you can tolerate the stock market doing it’s “roller coaster ride,” consider planning a few new long-term investments if/when you decide the prices are low or discounted enough during the economic crisis.
  10. Finally, schedule a virtual field trip. During our careers and now retirement, my wife and I were never much into traveling around the country or the world. Professional responsibilities (string camp, music workshops, youth orchestra tours, and the extended marching band season) usually precluded taking cruises or long vacations. There are a lot of places on the planet to which we have not journeyed. One thing a lot of people have discovered during these shelter-in-place restrictions is the amazing number of FREE online resources that transport us to museums, galleries, architecture “wonders of the world,” online films of Met operas and Broadway musicals, etc. Plan to take a handful of these wonderful “Internet trips.” (Special thanks for the advance “legwork” of many of these destinations done by Andrea Romano at https://www.travelandleisure.com/attractions/museums-galleries/museums-with-virtual-tours).

virtual tours

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More websites with suggestions about conquering boredom or avoiding becoming too sedentary during the COVID-19 “stay-at-home” orders:

This article and researching the links above took 4-5 hours, and were the things I did to pass the time TODAY! So, now it’s your turn.

The world is your oyster. Get out there and crack it!

Best wishes for your continued good health, safety, happiness, and finding a little music and meaning in every day!

PKF

 

Photo credits (in order)

Shutterstock_1660879444

From Pixabay.com

  • concerns-concerned-about-the-anxiety-4944455 by Larsgustav
  • yoga-exercise-fitness-woman-health-3053488 by lograstudio
  • score-music-piano-guitar-melody-4947840 by sweetlouise
  • covid-19-coronavirus-distance-4940638 by geralt
  • meeting-relationship-business-1019875 by Peggy_Marco
  • wood-couch-potatoes-funny-potatoes-3119970 by Alexas_Fotos
  • sunset-island-mar-dusk-brain-485016 by 95C
  • pieces-of-the-puzzle-mix-hands-592798 by Hans
  • wooden-train-toys-train-first-class by Couleur

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© 2020 Paul K. Fox

Engaging Music Students Online

COVID-19Once the COVID-19 emergency was declared and universally all schools and outside activities were cancelled (for who knows how long?), the 37th spring season of my community youth (of all ages) orchestra was also “clobbered!” Up to this time, the Western PA-based South Hills Junior Orchestra (SHJO) regularly met on Saturdays from 10:30 a.m. to 12:30 p.m. at the school from where I retired: Upper St. Clair High School.

It immediately became apparent I must reach-out to my instrumentalists and keep them “at it” to continue their music practice and artistic enrichment. How should we stimulate our music students and embrace those activities most of us “traditional” music teachers may be less skilled/experienced in approaching:

  • digital
  • virtual
  • remote
  • alternative or
  • distance music learning?

First, using a free-version of Mailchimp, a software tool that helps generate and send out group emails, we messaged our ensemble players, trying to inspire “re-connections” and independent learning, and giving them “pep talks”  like this one on March 30, 2020: https://mailchi.mp/129b1cfdc54e/music-and-artistic-enrichment-3922957.

Then, it was time to research the wonderful world of online music education, such as this huge collection of ideas from “professionals in the know.” (See my last blog-post at https://mailchi.mp/129b1cfdc54e/music-and-artistic-enrichment-3922957  OR this regularly updated link on the PMEA Council for Teacher Training, Recruitment, and Retention website.)

The results of all of this are the following SHJO.clips, being distributed to our SHJO families several times a week. This is an ongoing process, and we welcome YOUR COMMENTS – questions, concerns, and new suggestions, too.

[All of these and future posts are available as PDF files at http://www.shjo.org/clips.]

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CLIP #1

Inspire: Have you ever tried the “experiments” in Chrome Music Lab?

What can you create?

https://musiclab.chromeexperiments.com/Experiments

Listen: Critique this YouTube recording of the Fugue in G Minor

https://www.youtube.com/watch?v=QmZURoUJQe0

Questions for self-reflection:

  1. What are a few of the strengths or positive attributes of this performance?
  2. Generally, how were the quarter notes articulated? Legato, marcato, staccato? In your opinion, how should they have been played?
  3. What improvements would you offer for the posture of the performers?
  4. What sections in the music did the ensemble “hang together” and when did they “fall apart?”

Practice: Select and play your favorite major key…

…performing a scale up and down on your instrument:

  1. Long tones (quarter notes), focusing on good tone and intonation. Quarter note = 60
  2. Four eighth notes per pitch in a legato articulation (same tempo).
  3. Two eight notes per pitch (same tempo)
  4. One eighth note per pitch (same tempo)

Every day you practice, change the key (start on a different note).

MusicTechTeacher

CLIP #2

Listen: Easy Guide to Appreciating Classical Music

https://www.youtube.com/watch?v=v11OJNEdIn8

Sit back (wash your hands and pass the popcorn) and enjoy this introductory video for listening to Classical Music.

Did you know the definitions of opus, fugue, subject, recap?

How was the nickname “Moonlight” assigned to Beethoven’s famous Piano Sonata?

How many different periods of Classical music does the moderator mention? Could you name them?

Inspire: Are you a little bored staying home from school?

Just for fun, here are a few online music games your parents would approve of you playing to review terminology, composers, and notation.

Practice: “The Ladder of Music Achievement”

Ever wonder how a music teacher knows what and when to teach a specific musical concept? Here’s the “rubric!” Start at the bottom and work yourself up “step by step.” Take a passage from our music. How high can you go?

  • Level 12: I played expressively.
  • Level 11: I played with self-confidence.
  • Level 10: I played with phrasing.
  • Level 9: I played with the dynamics as marked.
  • Level 8: I played with characteristic tone (with vibrato).
  • Level 7: I played with the correct bowing style (legato/detaché, staccato/martelé, or spiccato).
  • Level 6: I played with the correct articulation (legato, marcato, or staccato).
  • Level 5: I played the bowings (down and up) and slurs correctly.
  • Level 4: I played the pitches with accurate intonation.
  • Level 3: I played the correct fingerings and pitches.
  • Level 2: I played the rhythm accurately.
  • Level 1: I held a steady beat.

 

noteflight

CLIP #3

 

Create: Learning to Hear & Compose Harmony for Our Favorite Theme

Video: https://www.youtube.com/watch?v=RomMDJmMUUc&fbclid=IwAR1TKISv7ICT7DouuQo5CZsyIQ6z7w_WTtQRoc3s-QykJFHopT8uvv5QARo

Score: https://www.noteflight.com/scores/view/f7c3185d04f2c9307dff1114e7ad6596eb46da3c

Website for Noteflight: https://www.noteflight.com/home

Not sure if SHJO members have access to Noteflight, a free program for generating sheet music, but just watching the video, you can learn a lot about creating harmony. If you are interested in “jumping into” learning Noteflight, go to their website above (ask for permission to sign-up – purchasing the premium version is not needed).

Listen: “Warren Music” series

Although focused on “popular” music and at times a bit repetitious, WARRENMUSIC provides a library of music theory and ear-training (even play-by-ear) lessons, enough to keep you busy for hours! Do you play guitar? You’ll love Warren! See samples below. If you want to “hit the street running,” peruse #5 and then videos #9 on.

https://www.youtube.com/watch?v=7wAux1hh9wU&list=PLz4ee9SDzhrpJ1v-o5VSqHSyMC3-rXjtP&index=1

https://www.youtube.com/watch?v=GWD5-xmSovo&list=PLz4ee9SDzhrpJ1v-o5VSqHSyMC3-rXjtP&index=5

https://www.youtube.com/watch?v=v7l6Y6fTPDw&list=PLz4ee9SDzhrpJ1v-o5VSqHSyMC3-rXjtP&index=9

Practice: “The Ladder of Music Achievement – Part 2”

Now let’s assess your practice. Pick out a passage from the SHJO folder or any excerpt (several measures or lines) from other challenging solo/ensemble repertoire.  Play the same section every day for a week. Create a journal with the date, problem solving observations, other comments, and rate your daily achievement using this meter:

  • Level 12: I played expressively. _______________________________________
  • Level 11: I played with self-confidence. _______________________________________
  • Level 10: I played with phrasing. _______________________________________
  • Level 9: I played with the dynamics as marked. _______________________________________
  • Level 8: I played with characteristic tone (with vibrato). _______________________________________
  • Level 7: I played with the correct bowing style (legato/detaché, staccato/martelé, or spiccato). _______________________________________
  • Level 6: I played the correct articulation (legato, marcato, staccato). _______________________________________
  • Level 5: I played bowings (down/up) & slurs correctly. _______________________________________
  • Level 4: I played the pitches with accurate intonation. _______________________________________
  • Level 3:  I played the correct fingerings and pitches. _______________________________________
  • Level 2: I played the rhythm accurately. _______________________________________
  • Level 1: I held a steady beat. _______________________________________

Inspire: 126+ More Musical Games and Quizzes!

http://www.musictechteacher.com/music_quizzes/music_quizzes.htm

Check the above link of MusicTechTeacher’s entire collection! You can review concepts while having fun GAMING!

CLIP #4

Inspire: “A Message from The Foxes’ Favorite Master Motivator”

“Dr. Tim!”

Did you sit down and view “A Message from Dr. Tim Lautzenheiser” we sent out in the last Mailchimp newsletter? If you do nothing else today, this should be your number one priority! (Share this with your family members.)

Here is the link: https://www.youtube.com/watch?v=4MwWVkBBREw

Think about trying one or two of the things he suggested for helping yourself and others during this break.

Listen: Pittsburgh Symphony “Extraordinary Measures”

We are always looking for more SHJO.clips, and Mackenzie Cloutier researched and found this link of five videos! Even live performances of the PSO have been cancelled, but they are playing “on the web” just for you! Go to:

https://pittsburghsymphony.org/pso_home/web/extraordinary-measures

Practice: “The Wheel of Fortune”

SHJO Practice Spinner

Do you need help deciding on WHAT TO PRACTICE? How about going tech with an online SPINNER to SELECT what you should work on? Mrs. Fox found this cool website: https://pickrandom.com/random-wheel/.

Spin to cover at least 3 categories a day. Use the setting that removes the number after you spin it (no repeats).

  • Zero = WARMUPS
  • One = SCALES
  • Two = ETUDES
  • Three = SOLOS
  • Four = ENSEMBLE MUSIC
  • Five = MEMORIZE A TUNE
  • Six = SIGHT-READ SOMETHING NEW
  • Seven = “OLDIES”
  • Eight = RECORD A SELECTION
  • Nine = PLAY A DUET WITH YOURSELF
  • Ten = PERFORM FOR SOMEONE

Share: We’re looking for more online games…

…that review music theory, history, notation, terms, etc.

Did you try all of these?  http://www.musictechteacher.com/music_quizzes/music_quizzes.htm

Sometimes music learning can be a lot like GAMING! Mr. Fox found another website with which to experiment:

Ultimate List of Online Music Games: https://cornerstoneconfessions.com/2012/08/the-ultimate-list-of-online-music.html

If you find something interesting – any game, recording, or website – share it by emailing Mr. Fox at pfox@shjo.org.

Create: BINGO CARD!

We are also looking for someone to design a fun practice card like this one: https://christina-yunghans.squarespace.com/s/Music-Bingo-Cards-sample.pdf.

Send a single copy to pfox@shjo.org.

Mr. Fox's Music Bingo

CLIP #5

Share: “On the Ear” News Reporter

Broadcast your own music review!

For this activity, you will need a device with voice recording capabilities, and a different device to listen to music selections, such as a radio or a record player, CD player, tape recorder, Music Choice channels on cable TV, or a computer on which you can view a YouTube selection, etc. Listen to an orchestral music selection or a recording of a selection for the instrument you play. (Examples: Bach Fugue in G minor, “The Lesser” or Haydn Trumpet Concerto, and so on.) As you listen to the music on one device, have you voice recorder ready to make running comments, just like a music reviewer or “play by play” sports event reporter. Download all of the instructions here:  http://www.shjo.org/s/Music-Reporter-032620.pdf

Inspire: “The Musicologist”

Free music theory review, courtesy of musictheory.net

We learned a lot last year using our Alfred Music Theory series. How much of it can you recall defining the “fundamentals of music notation?” (You do not have to purchase their Tenuto app as advertised on the website, although it is a reasonably priced option for further study! If you are a serious musician, Mr. Fox recommends it.)

Complimentary online instruction is available at https://www.musictheory.net/lessons.

To test your knowledge, here is the free link: https://www.musictheory.net/exercises.

Listen: “How Bad Can It Get?”

Classical music “fails” – just for fun!

Do you need a good laugh… conductors losing batons, concert disruptions, and much more? If you can get past the hideously out-of-tune and badly played introduction, see if you can find a violist making fun of a cell phone going off during his recital: https://www.youtube.com/watch?v=vPA31kvEUyY

Practice: “Mr. Fox’s Music Bingo”

A few ideas to keep on practicing and “give back” your music!     

If you want to print your own copy of the card or re-arrange the order of the activities, download from this link: https://christina-yunghans.squarespace.com/s/Music-Bingo-Cards-sample.pdf.

Practice: “Mr. Sheehan’s Practice Guide”

If you prefer a more cerebral plan, download/read/apply the excellent manual “What to Do When You Practice” written by the band director from Hollidaysburg Area Senior High School (PA), and the new President-Elect of the National Association for Music Education: http://www.shjo.org/s/What-to-Do-When-You-Practice-Booklet.pdf

Four-a-Day Music Researcher

CLIP #6

Share:Easy Classical Music Games”

Teach a younger sibling or neighbor the “basics of music!”

SHJO has a membership of all ages. Some of these clever activities are pretty easy, so “show your stuff” to a friend or family member: https://www.classicsforkids.com/games.html

Inspire: “Budding Composers: How to Avoid Getting Sued”

Mr. Fox’s latest YouTube video “find!”

How many Classical music themes seemed to be “borrowed” in popular music? A few tips on copyright law, too! Closer to home, do you remember SHJO’s playing of “Aura Lee?” Do you know the origins of the tune, who originally wrote the lyrics and music, and what popular piece/group used the melody? (Hint: Elvis Presley)

“14 Songs That Rip Off Classical Music” from the UK https://www.youtube.com/watch?v=yknBXOSlFQs

Practice: “Musical Dice”

A roll of the dice can lead to different pathways of music learning.

If you don’t have a dice, use this random number generator:  https://www.random.org/dice/

Start off with a “scavenger hunt” of researching music. First roll is the row, second is the column. (SEE ABOVE GRAPHIC)

Then, try a simpler dice game for individual practice on your instrument, rolling only once:

  1. Major or minor (alternate) scale and arpeggio
  2. A band or orchestra warmup (long tones, tuning, etc.)
  3. Slow lyrical section from your SHJO music (alternate)
  4. Favorite piece (solo, school ensemble, or SHJO)
  5. Fast passage from your SHJO music
  6. Section of a memorized piece (solo, school or SHJO) OR play along with a recording

Create: “Musical Dice II”

This time, YOU create-your-own practice game with the dice!

Write down and number six musical objectives you have, short school or SHJO sections, technical exercises, or solo pieces you want to learn. Divide up each “goal” into gradually more challenging success levels – focus on different excerpts, more measures, faster speeds, add dynamics, phrasing, articulations, etc.

SHJO Music Exploration graphic

CLIP #7

Listen:YouTube Kids Playlist

Discover new online music videos!

Parents: Did you know you can set up a free account for “completely safe viewings” of YouTube media? Go to  https://www.youtubekids.com/. Mr. Fox took an entire afternoon off perusing these recordings, a little something for everyone (a flute player, cellists, sax quartet, etc. who will “knock your socks off!”) The marble machine is just for fun… one link is a machine, the other a live band. What is “looping?” Registration may be required to access links:

Share: “Whack-a-Note”

Name these notes… fast!

http://artsedge.kennedy-center.org/interactives/steprightup/whackanote/

Like “Easy Classical Music Games” in CLIP #6, teach someone basic notation… or just have fun with it yourself.

Create: “Song or Music Writing”

A Few “Basics” for Getting Started with Composing (sample websites)

Inspire: “Music Exploration and Reflections”

Maintain a journal to keep track of your work.

(SEE ABOVE GRAPHIC – Special thanks to the Greeley-Evans Weld County School District 6 for sharing their music grades 6-12 materials.)

First, download the original, full-size two-page document (so that the links will work with “click and go”) from the SHJO.clips page: http://www.shjo.org/clips. (Word file is best so you can write on it;  if needed, this PDF version is also available: SHJO Music Exploration).

The grid on the second page will allow you to write down your progress, time spent, and reflections.

You act as your own music teacher – seeking out ways to enrich yourself with new knowledge of music.

 

© 2020 Paul K. Fox

Sharing a New Discovery for Band

Here’s my first try at a little musicology! Retired music teachers and those “shut-in” due to COVID-19 (which is almost everyone) can take some of their free time to “dabble” in a review of famous contributors and contributions to our music history…

Quick! Can you name one of the most influential composers of the 20th century, a pupil of Henry Cowell and Arnold Schoenberg, who was also instrumental in the development of modern dance?

Hint? Here’s his picture.

John_Cage_(1988)

John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer, music theorist, artist, and philosopher. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. — Greene, David Mason (2007). Greene’s Biographical Encyclopedia of Composers. p. 1407

Cage was a pioneer of the prepared piano, an acoustic keyboard instrument with its sound altered by objects placed between or on its strings or hammers (see above photo), for which he wrote numerous dance-related works and a few concert pieces.

What may not be as well known was John Cage’s intense study of Indian philosophy and Zen Buddhism in the late 1940s, which led him to focusing on the concept of aleatoric or “chance-controlled music,” which he started composing in 1951.

The I Ching, an ancient Chinese classic text decision-making tool, which uses chance operations to suggest answers to questions one may pose, became Cage’s standard composition tool for the rest of his life. In a 1957 lecture, Experimental Music, he described music as “a purposeless play” which is “an affirmation of life – not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we’re living.” — https://en.wikipedia.org/wiki/John_Cage and https://johncage.org/

The “Classic” from John Cage’s collection

John Cage 4' 33"

Pianists and musicologists are familiar with the original Peters edition of one of his most notable works, titled 4′ 33″ (for its length), as well as his free use of exploratory and unconventional instrument types, equipment alterations, and groupings. John Cage was indeed most prolific with an exhaustive number of varied compositions to his credit, spanning his 80-year life:

From his Apprenticeship Period 1932-1936

  • Greek Ode for voice and piano (1932)
  • Three Easy Pieces (1. Round in A minor, 2. Duo in G major, 3. Infinite canon in F minor) for piano (1933)
  • Three Songs for voice and piano, (1932–33)
  • Sonata for Clarinet (1933)
  • Three pieces for two flutes (1935)
  • Quartet for any four percussion instruments (1935)
  • Two pieces for piano (1935?, revised 1974)
  • Trio for three percussionists (1936)

From his Modern Dance, Prepared Piano, and Transition to Chance Period 1937-1951

  • Music for Wind Instruments (wind quintet – 1938)
  • Bacchanale for prepared piano (1938)
  • Imaginary Landscape No. 1 for two variable-speed phonograph turntables, frequency recordings, muted piano and cymbal (1939)
  • First Construction (in Metal) for six percussionists and an assistant (1939)
  • Second Construction for four percussionists (1940)
  • Third Construction for four percussionists (1941)
  • The City Wears a Slouch Hat for narrator and six percussionists (1942)
  • Credo in Us for four performers with various objects (1942)
  • She Is Asleep: 1. Quartet for percussion, 2. Duet for voice and prepared piano (1943)
  • Ophelia for piano (1945)
  • Prelude in A minor  for flute, bassoon, trumpet, violin, cello and piano (1946)
  • In a Landscape for piano or harp (1948)
  • Sonatas and Interludes for prepared piano (1946–48)
  • Suite for Toy Piano (1948)
  • A Flower for voice and closed piano (1950)

Sample First Chance Works 1951-1958

  • Sixteen Dances for flute, trumpet, 4 percussionists, piano, violin and cello (1950–1951)
  • Imaginary Landscape No. 4 (March No. 2) for 12 radios, 24 performers and a conductor (1951)
  • Music of Changes for piano (1951)
  • Seven Haiku for piano (1951–1952)
  • Waiting for piano (January 7, 1952)
  • Music for Piano 4–19 for any number of pianos (1953)
  • 26’1.1499″ for a string player (1953–55, finished in 1955)
  • Music for Piano 21–36, 37–52 for piano solo or in an ensemble (1955)
  • Speech 1955 for news reader and 5 radios (1955)
  • 27’10.554″ for a percussionist (1956)
  • Radio Music for 1 to 8 performers using radios (1956)
  • Winter Music for piano (1957)
  • For Paul Taylor and Anita Dencks for piano (1957)
  • Fontana Mix for tape (1958)
  • Aria for voice (1958)

Sample Happenings, Theater Music 1959-1968

  • Sounds of Venice for television set (one performer) (1959)
  • Water Walk, a work for a TV show for one performer with a variety of objects (1959)
  • Cartridge Music for amplified sounds (1960)
  • Music for Carillon No. 4 for electronic instrument with accompaniment (1961)
  • Variations II for any number of performers and any kind and number of instruments (1961)
  • Music for Piano 85 for piano and electronics (1962)
  • Variations III for any number of people performing any actions (1962)
  • Electronic Music for solo piano (or any number of pianos) with electronics (1964)
  • Rozart Mix, tape loops (1965)
  • Variations V (1965)
  • Variations VI for a plurality of sound systems (1966)
  • Variations VIII no music or recordings (1967; revised 1978)
  • Assemblage for electronics (1968)

Samples of Return to Composition 1969-1986

  • HPSCHD for 1 to 7 amplified harpsichords and 1 to 51 tapes (1967–69, accompanied with Program (KNOBS) for the listener, an instruction for playing back the recording of the piece)
  • Cheap Imitation for piano (1969; orchestrated 1972, violin version 1977)
  • Bird Cage for 12 tapes (1972)
  • Etcetera for small orchestra, tape and, optionally, 3 conductors (1973)
  • Exercise for an orchestra of soloists (1973, based on Etcetera; second version completed in 1984)
  • Etudes Australes for piano (1974–75)
  • Some of the “Harmony of Maine” for organist and three assistants (1978)
  • Etudes Boreales for cello and/or piano (1978)
  • Hymns and Variations for twelve amplified voices (1979)
  • Ryoanji for double bass, trombone, oboe, voice, percussion, small orchestra (1983; parts added in 1983–85, and an unfinished cello part survives from 1992)
  • Selkus2 (1984)
  • ASLSP for piano or organ (1985)
  • Haikai for gamelan ensemble (1986)

Sample Number Pieces and Other Late Works 1987-1992

  • Twenty-Three for 13 violins, 5 violas and 5 cellos (1988)
  • Five Stone Wind for three performers with clay drums, electronics and unspecified instruments (1988)
  • 1O1 for orchestra (1988)
  • Four for string quartet (1989)
  • One2 for 1 to 4 pianos (1989)
  • Three for three recorders (1989)
  • One7 for any sound-producing object (1990)
  • Scottish Circus for Scottish folk band of any number of musicians and any instruments/voices (1990)
  • Twenty-Six for 26 violins (1991)
  • Twenty-Eight for wind ensemble (1991)
  • Muoyce II (Writing through Ulysses) for speaker and tapes (May 1992)
  • One11 for solo cinematographer (1992)

New “Bandstration” by John Cage

SmartMusic library

We are happy to announce a fairly recent discovery, a unique musical “find” for band directors, the first of which is a new adaptation of his work 4′ 33″ available for middle to high school concert band (full instrumentation, listed below) and a reduced, surprisingly easy-accessible arrangement for elementary band.

The music can be ordered from number of publishing houses, including C.F. Peters Corp., Sheet Music Plus, and J.W. Pepper.

Cage arrangement for band in SmartMusic

Smartmusic (MakeMusic, Inc.) added the newest edition of 4′ 33″ to its music library, labeling it “concert” and “contest” genre at the “medium easy” level with options to practice, perform, and assess individual instruments from within the score, including:

  • Flute
  • Oboe
  • Bassoon
  • Clarinet
  • Bass Clarinet
  • Alto Saxophone
  • Tenor Saxophone
  • Baritone Saxophone
  • French Horn
  • Trumpet
  • Trombone
  • Euphonium T.C.
  • Euphonium B.C.
  • Tuba
  • Mallet Percussion
  • Percussion
  • Timpani

John Cage printed band arrangement

An even more simplistic elementary band version, with a recommended two minutes performance time, is published by Classical Arrangements for Young Bands.

Take time to explore the amazing life and music of John Cage. You won’t be sorry!

PKF

 

Bibliography

 

© 2020 Paul K. Fox

Virtual/Remote/Alternative Music Ed

Resources for Teaching Music Online During the COVID-19 Pandemic

COVID-19

The dreaded messages came to almost every educator:

EMERGENCY ALERT:

Out of an abundance of caution relating to the prevention of spreading the coronavirus, beginning on _____, all after-school, extra-curricular, and outside group meetings and rehearsals are postponed until further notice.

* * *

Dear Students, Parents, and Staff:

All ______ school programs such as sports, band and jazz concert, spring musical, choir festival, dance and voice recitals, booster meetings and fund-raisers, and the music department adjudication trip, are cancelled.

* * *

Important announcement:

The spring concert scheduled for March 28 at the Performance Hall will not take place. A decision about whether to cancel this performance or postpone it to another date will be made as the community health situation continues to evolve.

And then, the Governor closed the schools for two to eight weeks (or more?).

Governor Wolf
Pennsylvania Governor Tom Wolf

Dear Families,

Thanks for your patience as we work through the events that have been occurring and planning for what lies ahead. We hope you and your family are staying well, and we know that many of you are looking forward to a Virtual Learning experience for your child.

We want to share some important information with all of you as we prepare this transition. While we do not know how long our buildings will be closed, we want to be prepared for ______ Virtual Learning for as long as it is necessary.

The immediate effect? Suddenly, our kids were sent home for an extra-early spring break, hopefully remembering to bring their instruments and music! Trying to “embrace” this world emergency (from a safe distance, of course), no one had a “crystal ball” to predict or even imagine the far-reaching effects, many of which we are still awaiting answers!

  • When will we be able to go back to school?
  • How can we collaborate, grow, and share our music learning, personal progress, repertoire and skills learned over the past year?
  • What will happen to everything all of us were forced to leave unscheduled, unfinished, or “in production?”
  • Will commencement be cancelled, too?
  • Worst yet, will our seniors fail to graduate, receive their diplomas, and start college on time next fall?

Every music teacher I know cried out, “How can I reach-out to my students to help them find alternative avenues to making music? The challenge is now thrust upon us to find ways to inspire our students to continue building on their “musical momentum” in daily practice, as well as stimulate other sources of artistic enrichment and the self-motivation to create new music goals.

My first act as a community youth director was to “fire up” my orchestra’s website and Facebook page. We regularly send out Fox’s Firesides of articles on practice tips, music problem-solving techniques, goal-setting, keeping a journal, developing teamwork, learning to conduct, acquiring college references, showing concert etiquette, etc. and other notices to the members and parents using a free-version of Mailchimp.

SHJOclips

In addition, we launched something called SHJO.clips, low-tech but hopefully effective in “exciting” future music enrichment and exploration: online music games, worksheets, sample recordings and videos, practice excerpts, music theory exercises, sight-reading and ear training assignments, and much more… a treasure chest of FUN things-to-do or c.l.i.p.s. to do ON THEIR OWN: Create, Listen, Inspire, Practice, Share.

Archives of both Fox’s Firesides and SHJO.clips are available by clicking the menu at the top or visiting http://www.shjo.org/ (look under “resources”).

Are we permitted access to our students and classes online during the official closures? Does your school use Canvas or other virtual educational environments to hold digital classes, post learning activities, make assignments, provide feedback, and/or assess your students’ achievement? (Are you even allowed to do so? I cannot answer this essential question because I do not know school law and I retired from the public schools in 2013.)

smartmusic and musicfirst

Are you one of the “lucky ones” who had previously set-up either the Smartmusic or MusicFirst online platforms (and the students know how to use the it) and can continue encouraging your band instrumentalists, string players, or vocalists to sight-read, practice, explore new literature, perform, record, and assess themselves?

Do you and your students need cheering up with a “pep-talk” by Dr. Tim Lautzenheiser, the famous “music educator’s guru,” guest speaker and expert motivator often presented as the kick-off keynote session at music conferences. “Dr. Tim” challenges us all to focus on what’s important and how we can put our time to good use:

“Life is about 10% what happens to me and 90% how I react to it.”

The pessimist sees the challenge in every opportunity, but the optimist sees the opportunity in every challenge.”

 

Set aside 17 minutes to recharge with this video. Then, share it with your students!

I am proud to admit that, in a single act, our profession has so far risen to the occasion. In an effort to help our “stranded” programs and motivate music educators and their students, so many tech experts jumped into the fray to post their recommendations and resources. At the end of this blog-post is a (very long) list of links from them, at least active as of today, for distance learning strategies and virtual music education.

logo 2
https://www.pmea.net/council-for-ttrr/

We have taken the time to compile many of these suggestions and warehouse them on the Pennsylvania Music Educators Association State Council for Teacher Training, Recruitment, and Retention website here. Look under the heading “Virtual Music Learning – Engaging Students During the Break.” This is the impetus for this article. The samples provided below (probably only the “tip of the iceberg” and already out-of-date) are by no means all-comprising and fully comprehensive. With every minute of the day dragging on during this crisis and we are still “shut in” our homes away from our music students, new solutions are being posted to Facebook groups like Music Educators Creating Online Learning.

Click here if you would like a printable PDF file of this revision of resources.

Take the time to research what might work for you. At the very least, pass on the music games and puzzles offered at sites like Music Tech Teacher or Cornerstone Confessions. Venture into learning new apps like Zoom.com for webinar/meeting management.

Music does make a difference in all of our lives… and we need to keep our musicians and singers “at it” even during this catastrophe!

Best wishes to you and yours. Stay safe and healthy! Thank you for your dedication and contributions to music education!

(Editor’s Note: We have continued adding many more updates to the list below at the website of the PMEA Council for Teacher Training, Recruitment, and Retention accessible from this link.)

PKF

 

 

Sources of Online Music Media and Instruction

Photo credit from Pixabay.com: “child-play-game-technology-3264751” by ExplorerBob

© 2020 Paul K. Fox

Will You Still Need Me When I Retire?

the-beatles-509069_1920_skeeze
Pixabay.com by skeeze

When I get older, losing my hair
Many years from now,
Will you still be sending me a valentine,
birthday greetings, bottle of wine?

If I’d been out till quarter to three
Would you lock the door?
Will you still need me, will you still feed me,
When I’m sixty-four?

– John Lennon / Paul McCartney, songwriters

When I’m Sixty-Four lyrics © 1967 Sony/ATV Music Publishing LLC

 

Mattering vs. Marginality

Perspectives for Those Leaving the Profession

Adaptations of the article in PMEA News (Fall 2019) and the blog “Retiree Concepts.”

Do you feel “needed” and “making a difference” to others? This is an essential part of what author Ernie Zelinski of the best-seller book How to Retire Happy, Wild, and Free emphasizes: “finding purpose, structure, and community” – goals for which your job and career usually provide – but are equally essential in retirement.

shutterstock_590895482_Your_Opinion_Matters

“Work structures us and gives us routine in our lives,” says psychologist Louis Primavera of Touro College in New York City, who co-wrote the 2012 book The Retirement Maze: What You Should Know Before and After You Retire. “We plan around work. It is part of our identity. We go to a social gathering and people say, ‘What do you do?’ Clearly, what happens is people say, ‘What am I going to do? What am I going to be?’ The loss of identity is a major fear.”

Retiring is “a series of transitions,” says Nancy Schlossberg, a professor emerita of counseling psychology at the University of Maryland, and now of Sarasota, Fla., where she is a consultant and public speaker on life transitions. “Change is very unsettling. There are people afraid because they can’t forecast the future,” she says, and because they worry “they no longer will have a purpose.”

In her 2009 book Revitalizing Retirement: Reshaping Your Identity, Relationships, and Purpose, Schlossberg talks about “mattering,” which she describes as “the degree to which you feel you’re appreciated, you’re noticed, you’re depended upon.”

Citing the research of Morris Rosenberg and B. Claire McCullough (adolescent studies) at https://psycnet.apa.org/record/1983-07744-001, Schlossberg further defines it as “a universal, lifelong issue that connects us all.”  Her “four dimensions of mattering” are:

  • Attention – the feeling that a person has the interest of another;
  • Importance – the feeling that others care about what you want, think, and do;
  • Ego-Extension – the feeling that others will be proud of your successes and/or saddened by your failures;
  • Dependence – the feeling that a person can depend on someone else.

shutterstock_1549374344_Ignored

Schlossberg also describes the opposing term “marginality” as “a sense of not fitting in,” which can lead to “self-consciousness, irritability, and depression. For some, these feelings can be permanent conditions.” Furthermore, “feelings of marginality often occur when individuals take on new roles, especially when they are uncertain about what these entail.”

Sound familiar? This might resemble that sometimes-tumultuous passage to and emotional ups-and-downs during the initial stages of “life after the work!”

Retirees, do you wake up in the morning feeling like you have an important part to play in the grand scheme of things? According to blogger Carol Larson and life coach Mary Helen Conroy, “During those early months of retirement, folks often try to figure out what their purpose is now that they’re not working. They wonder if they matter.” They view this concept through the lens of popular culture and the literature of transitions. You are invited to try their shared “recipe for mattering” in the Retiree Rebel free-podcast posted at http://www.retireerebels.com/mattering-matter-retirement-mhc-214/.

Dr. Amit Sood, author of the Mayo Clinic Guide to Stress-Free Living, recommends to “treat the first year in retirement as if you are ‘interning’ to give yourself time to readjust and set new expectations.” So, seemingly taking his advice, plan a “break” from everything, take extended trips, tours, or cruises, and enjoy some unscheduled time… to literally “go with the flow.”

shutterstock_450462928_senior_exercise

Susan Woodward, now 75 and living in Tucson, spent four years of her retirement traveling the country in her RV. She visited national parks and the maritime provinces in Canada, and even spent of that time volunteering. What she remembers most is her first trip, when she headed to Deming, N.M. from Raleigh, N.C. “I had such a sense of freedom, empowerment, expansion. I can’t even explain it,” she said. “It was like the whole world opened up.”

— Alessandra Malito

But, a “traditional retirement” may not be for everyone. As Alessandra Malito writes in MarketWatch https://www.marketwatch.com/story/afraid-of-being-bored-in-retirement-consider-these-options-2017-10-10, “Some can’t wait to put in their papers, while others dread the day they give up work for fear of having nothing to do, and no meaning to their name.”

It’s true that retirement can be a dangerous time for some. Without a sense of purpose, the risk of depression increases, and what should be a relaxing time becomes an anxious one. Studies show that without anything meaningful to do, and “mental exercises” throughout the day, cognitive abilities diminish in early retirees. They should also engage in social activities and find a leisurely activity they can enjoy if they aren’t trying to spend their retirement years still working.

— Alessandra Malito

The good news? You have friends in high places… NAfME and your state’s federated music education association (MEA) colleagues who have successfully “Crossed the Rubicon” into an active, meaningful, healthy, and happy retirement.

pmeaAnyone contemplating retiring over the next three years should visit their state’s retired member section and Retired Member focus area on the PMEA website: https://www.pmea.net/retired-members/. Take a look at past issues of the PMEA Retired Member Network eNEWS, read the Ultimate Retiree Resource Guide/Bibliography (also posted here), and view the video How-to-Retire.

Finding purpose and “mattering” during your post-full-time employment years will be easier if you continue your own pursuits in music artistry and creative self-expression, as well as your support of music education – be as active as you want – but consider the value of a few of these Goals/Benefits of NAfME/State MEA Retired Membership:

What music teacher retirees need from their professional associations…

  • Recognition and archival of past and current professional accomplishments, assignments, interests, skills, and talents.
  • Sessions geared for retired members, such as nurturing expressiveness and participation in amateur/community ensembles, retirement planning, etc.
  • New “brain-engaging” outlets for learning, leadership, advocacy, “encore career” development, and service.
  • Discounts for membership and attending festivals, workshops, and conferences.

What NAfME and state MEAs’ need from its retirees…nafme

  • Mentoring of new/less experienced teachers
  • Advising “best practices” in curriculum, instruction, assessment, and literature
  • Serving as leaders or consultants on local or state councils/boards
  • Volunteering at local workshops and state conferences
  • Advocating music education to the legislature and general public
  • Presenting sessions at workshops or conferences
  • Conducting, coaching, or accompanying students at festivals
  • Assisting in technology, teacher training, recruitment, auditions, etc.

Yes, you do matter, and you have a lot to offer benefiting the profession to which you have devoted your life! Happy trails to all retiring and retired members!

shutterstock_439838155_retired_couple_small

References

Jayson, Sharon. (2017). Are You Afraid to Retire? AARP: https://www.aarp.org/retirement/planning-for-retirement/info-2017/retirement-fear-fd.html

Larson, Carol & Conroy, Mary Helen. (2017). Mattering: Do I Matter After Retirement? Retiree Rebels: http://www.retireerebels.com/mattering-matter-retirement-mhc-214/

Malito, Alessandra. (2017). Afraid of Being Bored in Retirement? Consider These Options. MarketWatch: https://www.marketwatch.com/story/afraid-of-being-bored-in-retirement-consider-these-options-2017-10-10

Malito, Alessandra. (2017). This is What Older People Do When They’re Not Quite Ready to Retire. MarketWatch: https://www.marketwatch.com/story/this-is-what-older-people-do-when-theyre-not-quite-ready-to-retire-2017-07-07

Malito, Alessandra. (2017). Why Retirement Can Be a Dangerous Time. MarketWatch: https://www.marketwatch.com/story/why-retirement-can-be-a-dangerous-time-2017-09-18

Primavera, Louis, Pascale, Rob & Roach, Rip. The Retirement Maze: What You Should Know Before and After You Retire. Rowan & Littlefield Publishers, 2012.

Rohwedder, Susann & Willis, Robert J. (2010) Mental Retirement. National Center for Biotechnology Information: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2958696/

Rosenberg, M., & McCullough, B. C. (1981). Mattering: Inferred significance and mental health among adolescents. Research in Community & Mental Health, 2, 163-182

Schlossberg, Nancy K. Revitalizing Retirement: Reshaping Your Identity, Relationships, and Purpose. American Psychological Association, 2009

Sood, Amit. The Mayo Clinic Guide to Stress-Free Living. Da Capo Press, 2013

Zelinski, Ernie J. How to Retire Happy, Wild, and Free. Ten Speed Press, 2009

PKF

© 2020 Paul K. Fox

Tis the Season for Musicals

Support and Participate in Your School Productions!

And now… a non-paid advertisement in support of MS/HS music drama programs… also perfect for celebrating “Music in Our Schools’ Month!” Please pass this on!

The coming springtime brings birds, flowers, bees, and… the magic of live theater! Lasting from early March to late May, the season of school musicals is now upon us! Here’s a friendly reminder from a retired public-school musical director/producer to attend one or more of your local shows! I guarantee it: You won’t be sorry! (For singers and instrumentalists already in a youth, church, or community ensemble, this is message is probably “singing to the choir!”)

dance-430553_1920_ bigter choiThe school musical allows all of the Fine and Performing Arts the chance to collaborate, create, communicate, and “come together” in the presentation of a new transformed art form… everything from acting, dancing, choral, chamber, and solo singing, and instrumental accompaniment… to costumes, make-up, sets, props, lighting, sound, and special-effects. The music and stage crafts “make the magic” to stir your imagination for an evening or matinee of wonderful entertainment and enlightenment!

Many of our local high school musicals secure the rights for the same licensed productions that you see in downtown professional productions (like Pittsburgh Civic Light Opera and PNC Broadway series in my area) – one might say “professional grade” intended to be performed by seasoned professionals and not “watered down.” But, regardless of the incredibly challenging vocal ranges, dance steps and athleticism, virtuoso musical passages, and instant scene changes, the students always “rise to the occasion,” and perform amazingly artistic, realistic, funny, serious, romantic, thought-provoking, and inspiring numbers, providing a once-in-a-lifetime opportunity to share with your entire family!

supercharge the musical box
https://paulfox.blog/2015/08/18/52-creative-tips-to-supercharge-the-school-musical/

The scripts and scores for each show provide only the barest information on how to put everything together. The directors, choreographers, and set designers have to determine the selection and placement of the cast on the stage (defining their blocking and all entrances/exits) as well as the kind of backdrops, props, and platforms to build, position, and move (in and out) from scene to scene. Because of this, I can offer you the assurance that no two presentations of a single production will ever be the same. In addition, no two shows performed at different sites will even be remotely similar. The variety and unique talents of the leads, chorus, dancers, pit orchestra, and production crews, as well as the vision and leadership of the artistic staff, will assure that the audience will experience many surprises and excitement every time they come to the theater!

Support your talented musicians, singers, dancers, and production-crew members. Buy a ticket. Invite other members of your extended family, coworkers, and neighbors to escape their wintry doldrums and enjoy an outing. Do you love theater? Consider volunteering to help the musical, assisting in the peripheral such as sewing costumes, distributing posters, selling tickets, building sets, painting the scenery, buying a program advertisement or well-wisher announcement, or chaperoning the parties. Contact the school’s musical director or Performing Arts chairperson to find out additional ways to help “make a difference” in your school’s Performing Arts.

ShrekThe school district at which I am proud to have served for 33 years as music teacher, 30 years as HS producer, and 7 years as Performing Arts Curriculum Leader is putting on SHREK – The Musical. Their “grand opening” for two weeks of shows is March 6, 2020 at 7:30 p.m. in the Upper St. Clair HS Theater, 1825 McLaughlin Run Rd., Pittsburgh, PA 15241.

What else is happening in our southwestern PA area? At the time of this blog-post, we learned of a few of these upcoming HS musicals. (Be sure to check in with your local district to find out what is playing, dates, and times, and how to reserve show tickets. If all else fails and you cannot find the announcement on their school website, call the building principal’s secretary who usually knows “what’s going on!”)

Sampling of High School Spring Musicals

(Southwestern Pennsylvania from March 5 to May 9, 2020)

  • Ringgold HS: Thoroughly Modern Millie on March 5-7, 2020
  • Upper St. Clair HS: Shrek – The Musical! on March 6-8, 12-14
  • Thomas Jefferson HS Disney’s Newsies! on March 12-15
  • Bethel Park HS: Guys and Dolls on March 18-21
  • Bentworth HS: Shrek – The Musical on March 19-21
  • Peters Township HS: Big Fish on March 19-22
  • Chartiers Houston HS: Beauty and the Beast on March 20-22
  • West Allegheny HS: 9 to 5: The Musical on March 20-22, 27-28
  • West Mifflin HS: The Addams Family on March 26-29
  • South Park HS: Chicago: High School Edition on March 26-29
  • Baldwin HS: The Addams Family on April 1-4
  • Burgettstown MSHS: The Music Man, Jr. on April 2-4
  • Brentwood HS: Annie on April 2-4
  • Elizabeth Forward HS: Drowsy Chaperone on April 2-5
  • Mt. Lebanon HS: Once Upon a Mattress on May 7-9

PKF

 

hi-res logo 2018The mission of South Hills Junior Orchestra, which rehearses and performs at the Upper St. Clair HS in Pittsburgh, PA, is to support and nurture local school band and orchestra programs, to develop knowledge, understanding, performance skills, and an appreciation of music, to increase an individual member’s self-esteem and self-motivation, and to continue to advance a life-long study of music. Members of the Orchestra learn, grow, and achieve positions of leadership to serve their fellow players.

(For more information about SHJO, please visit www.shjo.org.)

This and all Fox’s Fireside blog-posts are free and available to share with other music students, parents, directors, and supporters of the arts.

Click here for a printable copy of Tis the Season for Musicals.

Other “Fox Firesides” are available at https://paulfox.blog/foxs-firesides/.

 

© 2020 Paul K. Fox

 

Photo credits from Pixabay.com: “Staging” by Mauricio Keller and “Dance” by bigter choi

Stressed Out?

More Remedies for Reducing Teacher Stress & Burnout

stress-1837384_1920_johnhainWelcome back to our series on music teacher (and other professionals) self-care.

First, as presented in this insightful article by Chris Mumford, we confirm the notion that “stress is inevitable,” but “how you respond to it can spell the difference between a long, rewarding career or one cut short by burn-out.” Based on new research, he offers some surprising (and even counter-intuitive) techniques to better deal with it, including these “9 Stress Management Strategies Every Teacher Needs to Know.”

  1. Breathe (properly)… When you’re experiencing intense levels of stress, breathe in deeply (put your hands on your stomach and feel it expand out), for four seconds, then exhale evenly for four seconds. Keep this up for two-three minutes for maximum effect. 
  2. Embrace the stress… Viewing your stress in constructive ways [reframing] will actually cause your body to respond to it differently and prevent long-lasting physical damage.
  3. Be imperfect… Teachers are often prone to perfectionism and its ill effects: they often feel that they aren’t doing enough, or that their mistakes are magnified because of the importance of their job. If you find yourself feeling this way, fight back.
  4. stress-2379631_1920_DavidqrPractice emotional first aid… Do you beat yourself up when you experience failure or make a mistake? [Find] ways to break the negative patterns of thought.
  5. Be grateful… We have to stop, quiet our minds, and create “stop signs”—little reminders of things that we should be grateful for every day.
  6. Limit “grass is greener” thinking… You will have challenges anywhere you go.
  7. Work smarter, not harder… Find ways to delegate some of your work, or invest in tools or technologies that will make your life easier. 
  8. Ask for help… doesn’t make you weaker, it makes you better at your job.
  9. Make a connection… When you connect with another person, your body produces oxytocin, which is a chemical that helps repair the heart. If you help your neighbors, family, etc., you’re much less likely to experience the negative effects of stress. 

 

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Just Breathe… According to the Navy SEALS!

The calming, deep-breathing practice (#1 above) can be learned by reviewing a host of resources, including the book Maximizing Your Human Potential and Develop the Spirit by former Navy SEAL Mark Divine, as well as these websites:

Examples of two different NAVY SEALS breathing exercises advise us on how to reach a more relaxed state:

TACTICAL BREATHING (to alleviate “fight or flight” tension)

Place your right hand on your belly, pushing out with a big exhale. Then breathe in through your nostrils, slowly drawing the breath upward from your belly to your upper chest.

Pause and exhale, starting from your chest and moving downward to the air in your belly. Imagine your belly button touching your spine.

Once you’re comfortable with a full, deep breath, repeat it, this time making the exhale navy SEALStwice as long as the length of the inhale. For example, inhale to the count of four, pause briefly, and exhale to the count of eight. Repeat three times.

Stephanie Vozza

BOXED BREATHING (to help ground you, sharpen concentration, and become more alert and calm)

Expel all of the air from your lungs
Keep them empty for four seconds
Inhale through your nose for four seconds
Hold for a four count (don’t clamp down or create pressure; be easy)
Exhale for a four count
Repeat for 10-20 minutes

Reuben Brody

 

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Mind Over Matter

Our own minds may be our own worst enemies. Have you read the insightful article “Sustaining the Flame – Re-Igniting the Joy in Teaching Music” by Karen Salvador in the December 2019 issue of Music Educators Journal? She offers research-supported strategies for nurturing courage, peace, and resilience as well as suggested habits of thinking and action. Samples of “cognitive distortions,” a term of which I had never heard previously defining “irrational beliefs,” is addressed by “reframing” our inner voice during specific incidents of emotional distress.

MEJ December 2019Her common examples of cognitive distortions include the following. Do any of these sound familiar?

  • Disqualifying (discounting) the positive events
  • Jumping to conclusions
  • Filtering (focusing entirely on the negative elements of a situation)
  • Double standard (placing unreasonable/unattainable expectations for ourselves)
  • Personalizing (or “taking something personally”)
  • Polarized (placing people or situations in unrealistic “either or” categories)

Additional recommendations by Nicole Stachelski for combating stress and burnout are listed in the article:

  1. Laugh with your students
  2. Eat your lunch (take a break or enjoy social time)
  3. Schedule regular physical activity
  4. Drink more water (and visit the bathroom as needed!)
  5. Prioritize your work and set boundaries
  6. Keep a consistent bedtime
  7. Delegate – don’t be afraid to ask for help
  8. Focus on what’s really important

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More Ideas — Just Pick One!

Take a gander at this excellent Scholastic.com teacher blog-post by Nancy Jang summarizing “15 Ways to Reduce Teacher Stress.” Can you try at least one new strategy this week that resonates with you and your life?

  1. Close the door during prep time.
  2. Make a SHORT and DOABLE “Must Do” and “May Do” lists.
  3. Delegate items to parent volunteers.
  4. Lay out your outfit and prepare your healthy lunch the night before.
  5. Get a full eight hours of sleep.
  6. Don’t correct every piece of paper.
  7. Work out!
  8. Get up early!
  9. Stay away from negativity.
  10. Don’t take things home.
  11. Plan time every week/day to enjoy something that is not remotely related to teaching.*
  12. meditate-1851165_1920_PexelsLearn something new.
  13. Plan a trip.
  14. Don’t over-commit.
  15. Take ten minutes a day and mediate.

*Probably one of my own worst habits was not modeling number 11 above. No matter how busy you are with your daily in-school teaching and extra-curricular music/coaching activities, the full recommendations are important to consider:

Spend time with your family and friends, travel, work on your garden, read for pleasure, take a hike. Learn how to turn off being a teacher. Balancing your time to just be YOU (not the teacher you) allows you to be renewed and have more mental energy for your students.

Nancy Jang

A few more ideas are offered by Jennifer Gunn in her blog-post from Concordia University “How Educators Can (Really, Honestly) Unplug – And How Stress Affects Us.” As always, it is suggested that you read the entire article at the link provided.

  • Practice mindfulness
  • Get a change in scenery
  • Focus on some serious self-care
  • Make plans with friends
  • LOL
  • Unplug, literally
  • Schedule your work time and your fun time

 

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Balance

Work Life Balance ZelinskiIn almost every health and wellness article, we hear the emphasis of prioritizing and seeking a more equitable use of personal time, achieving what Ernie Zelinski, author of the best-selling book How to Retire Happy, Wild, and Free, refers to as “work/life balance.” Future blogs on samples of “super stress reducers” in “setting boundaries,” time management, and innovative organizational tools will be forthcoming.

Several books are also recommended readings for addressing the issues of teacher health and wellness. We have already reviewed several of these. More to come.

 

Our next journey to an in-depth look at music educator self-care will explore more fully TEACHER BURNOUT. To stay up-to-date on past and future articles, publications, and workshop presentations on this topic, be sure to revisit the “Care” section of this blog-site.

 

Resources

 

PKF

 

Photo credits (in order) from Pixabay.com

  • “laptop-woman-education-study-young” by Jan Vašek
  • “stress” by johnhain
  • “stress-despair-burden” by Davidqr
  • “boat-teamwork-training-exercise” by skeeze
  • “mental-health-wellness-psychology” by Wokandapix
  • “stress-relief-help-sign-relax” by Pete Linforth
  • “meditate-meditation-peaceful” by Pexels
  • “handstand-beach-sea-ocean-sand” by MatanVizel
  • “wooden-train-toys-train-first-class” by Couleur

wooden-train-2066492_1920_

 

 

 

 

 

 

© 2020 Paul K. Fox

More on Teacher Interviews

Coaching Advice for Acing Those Employment Interview Questions

There is a huge body of information on preparing for the job search process, interviews, and marketing yourself previously posted at this site. Where should you go first? Be sure to survey the following blogs:

What else do you think we should cover on this topic? How about some specific “coaching” in recommended answers to commonly asked interview questions… tips from the experts, HR staff, interviewers, supervisors, and the like. We give each resource “the baton” and “the podium” to offer a glimpse in the triumphs, pitfalls, and pratfalls of frequently observed interviewee responses. For grasping the full comprehension and context, follow-up by reading the entire article posted at each link.

Many of these suggestions are geared to “general education” teacher interviews, but you can apply them to whatever specialty or grade level to which you are applying. After all, the person sitting at the other side of the desk is probably an administrator or director of curriculum, not a current/former music educator.

Again, be sure to visit each website. All told, there are more than 108 sample questions and responses in these collections below!

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What is your teaching philosophy?

Teacher interview questions like this ask, “Are you a good fit for our school?” It’s the teaching equivalent of “tell me about yourself.” But —

Don’t answer elementary teacher interview questions for an unstructured school with, “I believe in structured learning.”

Take the time to learn the school’s philosophy before the interview.

Example answer: “I believe in teaching to each student’s passion. For instance, in one kindergarten class, my students had trouble with punctuation. I observed that one student, Mary, suddenly got excited about apostrophes. I fueled her passion with a big book on punctuation. Her enthusiasm was contagious, and soon the entire class was asking bright and animated questions. Whenever possible, I try to deliver structured lessons in an unstructured way like this.”

That answer uses the S.T.A.R. approach to teaching interview questions. It shows a Situation, a Task, an Action, and a Result.

“25 Teacher Interview Questions and Answers” by Tom Gerencer

This is from a Zety “career toolbox” website. They also offer an outstanding app to “build” a resume, CV, and cover letter, all with excellent examples.

 

Why do you want to be a teacher/work with children?

You have to know who you are as an individual and as an educator, and you have to know what you can bring to the school… This question gets to the heart of that self-awareness and passion. The interviewer wants to know: What drew you to this field, specifically?

How to answer it: It’s obvious of course, but you don’t want to say, “Summer vacations!” This should be easy to answer simply because there’s probably something you can think of that made you want to get into education. Maybe you love teaching your friends new things, or are a facts wizard bursting with knowledge, or love connecting with children. Focus not just on what you like about teaching but also on what you can… bring to the table.

For example, you might say: “I really admired my third grade teacher, Mrs. Kim, when I was younger, and even after I left her class I still felt myself drawn to her for advice and guidance over the years. It’s that sense of warmth and acceptance she provided me that inspired me to become a teacher. I want to be that person others can lean on as they navigate the oftentimes tough waters of growing up.”

“15 Common Questions Asked in a Teacher Interview (and How to Answer Them With Ease)” by Alyse Kalish

In addition, the site above shares several important pointers from Calvin Brown, Senior Recruiter at Alignstaffing, an education staffing firm, and Dan Swartz, Managing Director at Resolve Talent Consulting, LLC, a firm that specializes in education recruitment.

Reaffirming the blog S is for storytelling at interviews: “If you have a situation or a story with a great outcome, absolutely share [it],” says Brown. “Stories are also a great ways to highlight your expertise and skill set if you don’t come with a traditional background in education.” Swartz adds, “Even if you’re not a teacher with experience, you can still highlight how you go about your work by giving past examples and scenarios of engaging others.”

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How would you handle a difficult student?

Mary Findley, Senior Teacher Success Manager at Skillshare, former Teach for America Core Member and elementary school teacher, suggests this scenario and answer:

“When students are disengaged, it’s either because the content’s too challenging, it’s too easy, or there could be some outside-of-school factors,” explains Findley. A good answer delves into figuring out the cause, as that’s often the most important step.

Then, your response should show that “you’re meeting the student where they’re at and building on their strengths,” she says. It should also emphasize that you’re “collaboratively discussing” solutions with the student rather than ordering them around. If you have an example story to tell, that’s a great way to state your case.

You could say: “For me, the first step would be to pull them aside and address the issue privately. My biggest questions would be about deciphering what might be the root cause of this student’s bad behavior. Once I know what may be contributing to their difficulty, I really try to work with them to come up with a solution. I used this strategy in my last classroom, where I had a student who couldn’t seem to stay in his seat during lessons. We talked about how his behavior affected the rest of the class and why he kept moving around, and we agreed that when he was feeling really anxious he could raise his hand and I’d let him take a lap around the classroom, but only when it was appropriate. I also decided to make some of my lessons more active and hands-on so that other students could benefit from getting out of their seats every once in a while.”

“15 Common Questions Asked in a Teacher Interview (and How to Answer Them With Ease)” by Alyse Kalish

child-1439468_1920_Counselling

How do you incorporate social-emotional learning in your lessons?

Many states and districts have added requirements for social-emotional learning into their standards. Explain how you will not only tend to the academic needs of your students but tie in lessons that satisfy the core SEL competencies. Describe how you will help students build their self- and social-awareness skills, how you will support them in building relationships, and how you will give them the skills to make responsible decisions. 

“18 Interview Questions Every Teacher Must Be Able to Answer” by Brandie Freeman

If you have never heard the term “core SEL competencies” in your methods classes, peruse the online article “Building SEL Competency in the Elementary School Music Classroom” by Lindsey Jackson, posted on the NAfME Music in a Minuet website.

How will you meet the needs of the students in your class who are advanced or say they’re bored?

and

How will you engage reluctant learners?

School leaders don’t want to hear canned responses about how you can differentiate; they want you to give some concrete answers and support your ideas. Perhaps you help get kids prepared for scholastic competitions once they’ve mastered the standard (spelling bee or chemistry olympiad, anyone?). Maybe you offer more advanced poetry schemes for your English classes or alternate problem-solving methods for your math students. Whatever it is, make sure that you express the importance that all students are engaged, even the ones that are already sure to pass the state standardized test.

Teaching in an age when we must compete with Fortnite, Snapchat, and other forms of instant entertainment makes this question valid and necessary. How will you keep students’ heads off their desks, their pencils in their hands, and their phones in their pockets? Share specific incentive policies, engaging lessons you’ve used, or ways you’ve built relationships to keep students on task. An anecdote of how a past student (remember to protect privacy) that you taught was turned on to your subject because of your influence would also help your credibility here.

“18 Interview Questions Every Teacher Must Be Able to Answer” by Brandie Freeman

women-1687852_1920_melysernaWhat are your greatest weaknesses?

Considered one of the “trick” or unfair questions by many, you should still be ready for it. One of the keys to sounding sincere is to personalize your response, and provide specific examples of the “problem,” self-improvement goals, and positive growth and progress.

At some point during the interview process, you may be asked to describe your personal strengths and weaknesses. Many job candidates are unsure about how to approach this question. However, by establishing the appropriate context, you can give hiring managers an honest, thoughtful answer that highlights both your self-awareness and professionalism.

Preparing ahead of time for this question is a valuable use of your time before the interview. Even if you aren’t asked about your strengths and weaknesses specifically, scripting out your response to this common question will give you a candid yet compelling description of what you bring to the table and how you wish to grow in the future.

job-interview-2552411_1920_shaukingBecause we all have weaknesses but rarely want to admit to them, it’s best to begin with a truthful answer and build your script from there. Select an answer that a hiring manager would not consider to be essential qualities or skills for the position as well as qualities that you are actively improving.

Some examples of weaknesses include:

  • Disorganized
  • Self-Critical/Sensitive
  • Perfectionism (Note: this can be a strength in many roles, so be sure you have an example of how perfectionism can be a problem to demonstrate that you’ve thought deeply about this trait)
  • Shy/Not adept at public speaking
  • Competitive (Note: Similarly to perfectionism, this can be a strength)
  • Limited experience in a non-essential skill (especially if obvious on your resume)
  • Not skilled at delegating tasks
  • Take on too much responsibility
  • Not detail-oriented/Too detail-oriented
  • Not comfortable taking risks
  • Too focused/Lack of focus

Example weakness: Perfectionism

“I tend to be a perfectionist and can linger on the details of a project which can threaten deadlines. Early on in my career, when I worked for ABC Inc., that very thing happened. I was laboring over the details and in turn, caused my manager to be stressed when I almost missed the deadline on my deliverables. I learned the hard way back then, but I did learn. Today I’m always aware of how what I’m doing affects my team and management. I’ve learned how to find the balance between perfect and very good and being timely.”

target-1414775_1920_DeedsterExample weakness: Difficulty with an area of expertise

“Math wasn’t my strongest subject in school. To be honest, as a student, I didn’t understand how it would be applicable in my adult life. Within a few years of being in the working world, though, I realized that I wanted to take my career in a more analytical direction. At first, I wasn’t sure where to begin, but I found some free online courses that refreshed the important basics for me. In my most recent job, this new foundation has enabled me to do my own goal setting and tracking. Actually, getting over the math anxiety I had when I was younger has been incredibly empowering.”

“50 Teacher Interview Questions and Answers to Help You Prepare” from Indeed.com

One final resource, perhaps more focused on business or company interviews, but still applicable to education positions, is the work of author, career counselor and interview coach Robin Ryan. Knowing that college students are by necessity drawn to “free stuff,” I would first view one of her YouTube videos such as https://www.youtube.com/watch?v=J_lgyK37JJM or venture into reading her “how-to” articles at http://www.robinryan.com/index.php/articles. There are some excellent gems perfect for “collegiates” here:

60 seconds and youre hiredFocusing on Robin Ryan’s “interview tools” such as “the five-point agenda” and “60-second sell,” her book 60 Seconds and You’re Hired ” is inspiring and provides much greater depth (76 pages!) on answering those “thorny” interview questions. Nearly all of the sample questions above are also analyzed, offering easy-to-understand comments and recommendations for specific career paths. For example, Robin Ryan also weighs in on that inquiry “What is your greatest weakness?” – first offering to joke about it “I cannot resist chocolate!” and then, if it is reiterated, endorsing a strategy to share a work habit problem (like being a “Type-A” person) on which you are currently improving but is not critical for the position they are seeking to fill.

To sum up the book, these are my favorite sections:

  • Chapter 2: The Five Point Agenda
  • Chapter 3: The 60-Second Sell
  • Chapter 5: Interview Etiquette (including tips on proper dress, good manners, nonverbal and verbal communication, the hand shake, and eye contact)
  • Chapter 7: 60-Second Answers to Tough, Tricky Answers
  • Chapter 12: 12 Pitfalls to Avoid

In conclusion, as stated throughout all of this literature on interview techniques, the keys to success are preparation and practice… just like getting ready for your semester jury or senior recital. After studying these materials, collaborate with your peers to hold “mock interviews,” video-record yourself answering the questions, and take time to review and self-assess. Yes, you CAN and WILL do well at future employment screenings!

PKF

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Photo credits (in order) from Pixabay.com:

© 2020 Paul K. Fox

 

Living Your Legacy

Teacher Retirees: Not to be morose, but have you undergone a little soul-searching and introspection into how you want to leave your mark on this world? Since you’ve departed from your full-time career, do you feel your past/current goals and pursuits will make a difference?

How will you be remembered once you’re gone?

If someone else was to “put me on the spot” and ask me this, my quick rejoinder would be, “Music and education are my life!”

How about you?

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Let’s start with a review of the broad definition from Merriam-Webster:

legacy

noun: 1. a gift by will especially of money or other personal property, 2. something transmitted by or received from an ancestor or predecessor or from the past

adjective: of, relating to, associated with, or carried over from an earlier time, technology, business, etc.

synonyms: bequest, birthright, heritage, inheritance, patrimony

Legacy is [how] most people… want to be remembered, loved, and revered.

A legacy is not something that we have complete control over. After all, we cannot control how other people perceive us, we can only control our own actions.

So how can we leave the world with a legacy of our choosing?

What we must do is inspire through our own actions. If you go back through time and analyze the most influential legacies, you’ll see that they all inspired action through their own action. They didn’t just think about doing things, or tell others to do them; they went out and got things done on their own!

These legacies began while they were still alive, except I’m sure they weren’t thinking about them in those terms. Their ACCOMPLISHED GOALS became their legacy, which lives on today.

— Amy Clover in Strong Inside Out

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It may boil down to two thought-provoking inquiries posed in “What Will Be Your Legacy?” What do you want to leave for the world that will affect it when you are gone? AND How do you want to change the future?

Thanks to blogger Marelisa Fabrega, here’s more food for thought and self-examination:

  1. What do you want your life to stand for?
  2. How do you want to be remembered by your family and friends?
  3. What will those beyond your circle of family friends remember you for?
  4. What kind of impact do you want to have on your community?
  5. How will the world be a better place because you were in it?
  6. What contributions do you want to make to your field?
  7. Whose lives will you have touched?
  8. What lessons would you like to pass on to future generations?
  9. What do you want to leave behind?
  10. How can you serve?

 

Dead Poets Society-bardfilm.blogspot.com

In her article “How to Leave a Lasting Legacy,” Fabrega also shares several activities for the creation of a personal legacy, everything from the Stephen Covey exercise on writing your own obituary or designing the words you want etched on your tombstone to adding your own “meaning of life” verse to the Walt Whitman poem Oh Me Oh Life as English teacher John Keating (played by Robin Williams) taught in the film Dead Poets Society.

Your legacy is putting your stamp on the future. It’s a way to make some meaning of your existence: “Yes, world of the future, I was here. Here’s my contribution, here’s why I hope my life mattered.”

— Bart Astor in Forbes

 

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Getting Your Affairs in Order

A legacy is more than a large donation to your favorite church, foundation, or charity. Of course, this process should begin with self-reflection, advance planning, hiring an attorney, and making your financial intentions and final instructions clear in writing.

Do you have a legal will, ethical will, living trust, Power of Attorney, and advance directive? Have you updated your important documents to take care of the needs of your family? Have you notified your spouse, adult children, and other relatives where they can find these legal papers, passwords, and other digital files? If not, please review my blog “Estate Planning.”

But, legacy is so much more, including strategies for passing on your values and goals after you are no longer here!

Ethical Wills.png13 years ago, I first learned about an ancient tradition for passing on personal values, beliefs, blessings, and advice to future generations called an “ethical will.” At a subconscious level, I must remember the custom, because when my father was diagnosed with lung cancer in 1990, I asked him to write a letter about the things that he valued. About a month before he died, my dad gave me two hand-written pages in which he spoke about the importance of being honest, getting a good education, helping people in need, and always remaining loyal to family. That letter – his ethical will – meant more to me than any material possession he could have bequeathed.

— Barry K. Baines in Ethical Wills

As we have also noted in a previous blog-post, you should reflect on what you would say to those nearest and dearest to you if you couldn’t (or didn’t) tell them in person. Consider writing individual letters to your partner, children, or other family members “as a way of leaving a few last words.” Check out Frish Brandt’s “Last[ing] Letters.”

 

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Your Contributions “In Memoriam”

The idea of leaving a legacy is the need or the desire to be remembered for what you have contributed to the world. In some cases, that contribution can be so special that the universe is unalterably changed. However, for most of us mere mortals walking this earth, we will leave a more modest legacy that doesn’t necessarily change the world but does leave a lasting footprint that will be remembered by those whose lives you touched.

You hope your life matters in some way. I know I do. I’ve been teaching since the age of 22 and teaching is my legacy, my contribution that hopefully enlightened the lives of my students whether they became actors, scientists, doctors, mothers or yogis. My teaching is a gift that keeps on giving because it leads me to other learning and knowing experiences that I share with others.

— Joan Moran in HUFFPOST

(I bolded “teaching is my legacy” in the above quote because I hope that will be considered as my own preeminent legacy.)

To borrow from the inspiration and expertise of others, I found this insightful and stimulating self-help article offering “Five Ways to Leave a Great Legacy” by Joan Moran.

Moran describes in detail these tips:

  1. ornament-1899065_1920_2_xsonicchaosSupport the people and causes that are important to you.
  2. Reflect and decide what is most important to you in your life.
  3. Share your blessings with others.
  4. Be a mentor to others.
  5. Pursue your passions because they are infectious.

She sums it up succinctly: “Leaving a legacy is an important part of your life’s work. A legacy develops from a life dedicated to self-reflection and purpose. What will be revealed and what will endure is a truthful and value driven body of living.”

The straightforward way to live a life of significance is simply to share your three t’s: time, talent, and treasure. Our lives are meant to give away – to significant causes, to loving families, to friends in need, to lasting relationships. Find a way that your gifts can serve others. Your time, energy, and money are precious resources – they are limited, and you are the sole owner. If you spend them in one area you can’t spend them in another. When we say “yes” to one thing, by default we saying “no” to something else. The key to winning is to say “yes” to the significant things in your life.

— Lee Colan in Inc.

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Giving Back… Getting Personal

eleemosynary

adjective: of, relating to, or supported by charity

synonyms: altruistic, beneficent, benevolent, charitable, do-good, good, humanitarian, philanthropic

Fancy SAT vocabulary term! No, we do not need a visit from Charles Dickens’ three ghosts to learn altruism! Everyone should want to be remembered as eleemosynary or generous souls! Especially during my retirement years (2013 to the present), I want to model volunteerism:

  • Fox_Paul_SHJODirecting the South Hills Junior Orchestra (non-salaried sharing of my teaching)
  • Serving as a volunteer escort for the St. Clair Memorial Hospital (three days/week)
  • Promoting communications and marketing strategies of the Community Foundation of Upper St. Clair
  • Supporting the Pennsylvania Music Educators Association in various projects including teacher training, recruitment, retention, and retirement prep.
  • Writing articles and presenting workshops/webinars that help other teachers

These wishes will need to be updated from time to time, just like revising mission/vision statements, goals and objectives.

In addition, future monetary bequeaths from “what’s left” of our remaining assets will serve as “random acts of kindness from the grave” in support our current values, funding hereafter projects and pursuits (subscribing Moran’s tips #1-3 above) that matter to us.

How to Make an Educator Smile

My wife and I never had kids, so admittedly we live vicariously when we “bump into” our former students and revel in their major life-passages and accomplishments. It warms a retired music teacher’s heart to “catch-up” with a combined 53+-year history of past pupils from our music classes, choirs, bands, orchestras, and musical/play productions, and learn that they are happy, healthy, prosperous, and thriving. It gives us a special thrill to hear they are still “making music” and/or passing on their love of the arts to their own kids. That is indeed part of every teacher’s wish for a lasting legacy.

During our retirement, we continue to attend many concerts, recitals, weddings, receptions, Eagle Scout ceremonies, etc. of our former “charges.” We feel blessed to be invited to participate in these special occasions to share in their joy, love, and success.

In some small way, we fervently hope our efforts to bring creative self-expression and the appreciation of the arts have made a difference to our students’ lives and their development into caring, responsible, and “artistic” adults.

In Conclusion: The Fox Vision and Values — “These Things I Believe”

  1. Equal-access to high quality and meaningful music education programs is an essential part to the intellectual, emotional, and artistic development of all children.
  2. The primary goal of an education in the arts is to nurture creative self-expression.
  3. Regardless of talent or privilege, every individual on earth can find inspiration and success in some form of music or the arts.
  4. Our life purpose involves relationships. It is more about people than about things.
  5. We were put on this planet to understand and help others, to foster more than a mere tolerance for diverse individuals and perspectives, rather to emphasize the values and practices of acceptance, respect, empathy, and collaboration.
  6. Our primary goal is to empower volunteerism, to make a difference in the lives of others less fortunate or experienced, and to give freely of our time, talents, passions, and resources.

PKF

 

Photo credits (in order) from Pixabay.com

 

Photo of Robin Williams portraying John Keating in the movie Dead Poets Society was by bardfilm.blogspot.com

 

© 2020 Paul K. Fox