Interview Clinic Revisited

A Quick Update from the MMEA Annual State Conference

Today (February 21, 2026) it was my pleasure to present at the Maryland Music Educators Association (MMEA) Annual State Conference in the Baltimore Convention Center.

The session was revised from past workshops at PMEA Annual and NAfME Eastern Division Conferences. Feel free to share these materials with fellow music education majors and NAfME college chapters… even hold meetings with them to sponsor group demonstrations of mock interviews to provide an audience and feedback for your practice sessions.

To-Do’s for Future Educators Seeking Employment

We have covered a lot of the concepts of “the art and science” of interviewing. As a review, here’s recap homework for anyone interested in developing better marketing, branding, and networking techniques, skills in storytelling at interviews, and improving their performance at employment screenings:

Standards: Define your personal mission, goals, and philosophy for teaching music, modeling the highest ideals of professionalism, ethics, and becoming the “total music educator.” Have you read the Model Code of Ethics for Educators brochure?

Marketing: Design and distribute a “state-of-the-art” résumé, e-portfolio, website, and business card.

Skills: Compile a list of anecdotes and true stories of you overcoming challenges, solving problems, and demonstrating  “best practices” of professionalism and self-improvement.

Assessment: Practice, record, and evaluate yourself answering behavioral & typical job interview questions

Review all the links here and this updated Ultimate Interview Primer handout and slide summary from the MMEA Annual State Conference.

Sample Slides

Click here for the entire slide summary.

Follow-up Reflections — The Top Ten!

Be ready to answer these in depth and with supportive evidence and sincerity at interviews:

  1. What is your philosophy for the study of music and the arts in the public schools?
  2. Why do you want to become a teacher? What motivates you to pursue this career path?
  3. What should be the most important emphasis in school curriculum — the mastery of content, outcome, or process?
  4. What is your personal mission, goals, and planned career trajectory?
  5. What are your most unique and essential personality characteristics and core values? (What matters to you most?)
  6. What are your most unique and essential professional habits that would equip you in becoming an effective educator?
  7. What is your proudest professional accomplishment? Why is this important to you? How would this relate to your teaching?
  8. What stories about your past positive interactions with children in education settings would demonstrate you modeled care, competence, compassion, and problem solving?
  9. How have you evolved in becoming a qualified educator during your pre-service field experiences?
  10. How and when have you “collected” and practiced responses to a large number of interview questions, including S.T.A.R. (Situation/Task/Action/Results) behavioral inquiries, and then recorded and assessed yourself doing these in a mock interviews or sessions of peer reviews?

One-Stop Help

In conclusion, about a year ago, I posted this Get-a-Job Toolbox blog. Please revisit the article, scroll down below the toolkit graphic, and follow in sequence as many of the published eighteen steps as possible.

High in the Himalayan mountains lived a wise old man. Periodically, he ventured down into the local village to entertain the villagers with his special knowledge and talents. One of his skills was to psychically tell the villagers the contents in their pockets, boxes, or minds. A few young boys from the village decided to play a joke on the wise old man and discredit his special abilities. One boy came up with the idea to capture a bird and hide it in his hands. He knew of course, the wise old man would know the object in his hands was a bird. The boy devised a plan. Knowing the wise old man would correctly state the object in his hands was a bird, the boy would ask the old man if the bird was dead or alive. If the wise man said the bird was alive, the boy would crush the bird in his hands, so that when he opened his hands the bird would be dead. But, if the wise man said the bird was dead, the boy would open his hands and let the bird fly free. So no matter what the old man said, the boy would prove the old man a fraud. The following week, the wise old man came down from the mountain into the village. The boy quickly caught a bird and cupping it out of sight in his hands, walked up to the wise old man and asked, “Old man, old man, what is it that I have in my hands?” The wise old man said, “You have a bird, my son.” And he was right. The boy then asked, “Old man, old man, tell me: Is the bird alive or is it dead?” The wise old man looked at the boy, thought for a moment and said, “The bird is as you choose it to be. It’s destiny is in your hands.”
Larry Broughton (also attributed to the Unitarian Universalist Association parable and Indian folk tale)

Indeed, regards to the preparation and practice of taking employment interviews and landing your “ideal job,” YOUR DESTINY IS IN YOUR HANDS.

A Plethora of Additional Resources

© 2026 Paul K. Fox

Learning New Skills and Hobbies

A Musician’s Guide to Staying Curious and Creative

by Ed Carter

For musicians, educators, professionals and soon-to-be retirees everywhere, guest blogger Ed Carter returns with this article on exploring new pastimes and adventures while “living the dream” during and after full-time employment. What are you planning to be (or do) when you grow up? PKF

Musicians are lifelong learners by nature. Whether you’re a touring guitarist, a bedroom producer, or a choir director, you already know that growth happens when curiosity meets practice. Learning new skills and hobbies isn’t just a way to pass the time—it’s a way to deepen musicianship, prevent burnout, and build a richer creative life. From hands-on crafts to movement and language, the right skill can feed your music in surprising ways.


The Fast Takeaway Most Musicians Need

Learning something new works best when it’s low-pressure, connected to your existing creative instincts, and practiced in short, repeatable sessions. Choose skills that train your ears, hands, body, or sense of story. Let progress be uneven. Consistency matters more than talent.


Skills That Pair Surprisingly Well With Music

Here’s a quick, varied list of skills and hobbies that musicians often enjoy—and actually benefit from:

  • Cooking: Teaches timing, improvisation, and sensory awareness
  • Gardening: Builds patience, seasonal thinking, and long-term care
  • Photography: Sharpens composition, contrast, and mood
  • Sewing or basic clothing repair: Encourages precision and rhythm
  • Dancing: Improves mood, posture, and body awareness
  • Visual art (drawing, painting, collage): Expands emotional expression
  • Learning a new language: Trains listening, phrasing, and memory
  • Playing a second (or third) instrument: Resets beginner’s mind

Each of these taps into skills musicians already use—just in a different form.


A Simple How-To for Learning Any New Skill

Use this checklist-style approach to avoid overwhelm and keep momentum:

  1. Start smaller than you think
    Commit to 10–15 minutes a few times a week. That’s enough to build a habit.
  2. Choose tools, not perfection
    One good knife, one sketchbook, one dance class, one app. Avoid overbuying.
  3. Practice in public (a little)
    Share a photo, cook for a friend, attend a beginner class. Light accountability helps.
  4. Connect it back to music
    Ask: How does this change how I listen, move, or think creatively?
  5. Let yourself be bad
    Beginners progress faster when they’re not trying to impress anyone.

Learning Skills Side-by-Side: A Comparison


When a Hobby Turns Into a Calling

Sometimes a skill stops being “just for fun.” You fall in love with it, invest more time, and start wondering if it could become part of your career. Many musicians eventually return to school to formalize a passion—whether that’s audio engineering, education, therapy, or technology. Finding a program that supports your interests matters; for example, if you want to build skills in IT, programming, and computer science theory, earning a computer science degree can open doors, and this may be a good option. Online programs can be especially helpful for busy musicians, allowing you to study around rehearsals, gigs, and tours.


A Resource Worth Exploring

If you’re curious about picking up creative skills at your own pace, Skillshare offers beginner-friendly classes in photography, illustration, writing, productivity, and more. Many courses are short, project-based, and taught by working creatives.


Frequently Asked Questions

Do I need to be “talented” to start a new hobby?
No. Skill comes from repetition, not personality traits.

How many hobbies is too many?
If you feel scattered or stressed, scale back. One or two at a time is plenty.

Will learning non-musical skills really help my music?
Often, yes. Cross-training creativity keeps your musical thinking flexible.

What if I quit?
Quitting is data. You learned what didn’t fit—and that still counts.


Learning new skills and hobbies keeps musicians adaptable, curious, and creatively healthy. You don’t need a master plan—just a willingness to start small and stay open. Some skills will quietly support your music; others may change your direction entirely. Either way, the act of learning itself keeps you in tune with growth.

© 2026 by Ed Carter and Paul Fox