Storytelling, etc. – Part 2

More on Developing Employment Marketing Skills

If you have not read it, as a warm-up, check out our first blog-post: “When It Comes to Getting a Job, ‘S’ is for Successful Storytelling.”

Since posting a plethora of resources on the job search, interview preparation and questions, branding, and networking, we came upon a few more perspectives, tips, and hands-on exercises you can use to “practice – practice – practice” landing gainful employment as a school music teacher – especially on building your capacity to “tell your own story,” who you have become, what unique qualities you bring to the mix, and how/why you have chosen music education as your “calling!”

Probably the most extensive set of links ever compiled on the subject can be downloaded from here:

But, be warned! It may take you days to read and absorb all of these past blog-posts and articles! They represent the ideal prerequisite – knowledge is power! Before going any further, take the afternoon off, find an easy chair, and focus your attention on creating a successful “action plan” for handling your upcoming employment screenings.

The Exercises

In a recent session for the Pennsylvania Music Educators Association Annual Conference in Kalahari/Poconos, we explored the following reflective/interactive activities. These work best in pairs or small groups, but you can adapt/individualize them for self-study:

  1. Close your eyes. Who had the greatest influence on you becoming a music educator? (Do you see his/her face?) What did your “model” musician or music educator have or exhibit… name at least three attractive personality or professional traits he/she had and that you would desire to develop in yourself? WRITE THEM DOWN – LIST #1. In a group setting, share at least one of these with your neighbor. (Swap!)
  2. Now it’s time to turn the attention on YOU. On a separate piece of paper, WRITE DOWN (LIST #2) YOUR three most redeeming qualities, unique professional/personal traits that any employer would be proud to know about you. Again, in a group setting, share at least one of these with your neighbor.
  3. For now, put these lists aside. There are no RIGHT or WRONG answers, but in past interview workshops, these terms often get repeated (for both Lists #1 and #2): Charisma, Creativity, Dedication, Dynamo, Excitement, Expertise, Humor, Intuition, Kindness, Leadership, Musicianship, Problem-Solver, Sensitivity, Tirelessness, Versatility, Virtuosity, and Visionary. On another piece of paper, add 1-3 more of these you may not have originally thought were among your positive attributes – WRITE THEM DOWN ON LIST #3.
  4. According to “The California BTES – Overview of the Ethnographic Study” by David Berliner and William Tikunoff, effective teachers (the ones for whom HR/employers are searching) score high on these skill sets/characteristics: Accepting, Adult Involvement, Attending, Consistency of Message, Conviviality, Cooperation, Student Engagement, Knowledge of Subject, Monitoring Learning, Optimism, Pacing, Promoting Self-Sufficiency, Spontaneity, Structuring. Do a self-assessment and apply these to yourself. WRITE DOWN 3-4 OF THESE ON LIST #4. Pick new ones you have not mentioned in #1 through #3.
  5. Now comes the FUN part. It’s time to generate stories about past experiences you have had that would model these terms. For this exercise, we recommend writing down at least one unique anecdote from each list which would “show not say” your ability, new learning, or achievement. The “plot” of your story should be concise, focused on the one trait, and when told out loud, not take longer than a minute. Instead of “bragging” you are a problem-solver or adaptable, tell that story of how you had to instantly initiate a “plan b” lesson when it was obvious that the students needed more work on a concept you thought they had already mastered. Remember how you handled your first discipline problem or a child in crisis? If you feel you have the qualities of a leader or a team player, share specific examples of your interactions with children in high school, college, field observations/student teaching, church or community groups, volunteer jobs, etc. If you have trouble coming up with these, try to remember the funny or surprising moments, or even the challenging miscues or big boo-boo’s – all okay to share as long as you resolved the situation positively, created a solution that resolved the problem, or learned a new insight or skill to handle future episodes. No one expects perfection from a new teacher, just enthusiasm, professionalism, willingness to self-assess, and commitment to the cause.
  6. Now you should have a library of stories ready to practice on your roommate, friends and fellow collegiates. You cannot bring the scripts with you, so these have to be at your fingertips: memorized, well-rehearsed, short and sweet (and if you can make them humorous, go for it!).
  7. Every week from now through the job search process, add new stories to your collection. Scan your (e-)portfolio for more ideas. These are the criteria used by my former school district (from where I retired) to evaluative prospective candidates. Ideally, you should have anecdotes that cover each area:

My Favorite Rubric

At some point, you are going to have to “face the music” and practice swapping these stories with family members, friends, and/or fellow job seeking students. We’re all in this together! At your next college chapter of NAfME, music education methods class, or student teachers’ wrap-up meeting, try to schedule some “down time” to appoint each other to serve as interviewers/ees. At first, it may not be easy. Using randomly selected questions from the Ultimate Interview Primer above (pull numbers out of a hat), tell a story or two to exemplify your past history, competencies, and professional traits. Your “buddy” (who will be on the hot seat next) could evaluate your performance using the following rubric. Apply the Oreo cookie format (something good first/top cookie, something needing improvement/cream in the center, and end with something positive/bottom cookie) to avoid crushing anyone’s ego. Consider recording your mock interviews for future assessment. Here is a copy of the form with sample questions.

More Odds and Ends on Storytelling

These outside sources focus on the essential skill of storytelling, the whole point of the above exercises. After reading these, you may be able to assemble more meaningful anecdotes that truly model your positive qualities and experiences by telling “short stories” – and “actions do speak louder than words!”

We found this excellent website “How to Effectively Use Storytelling in Interviews” by Bill Baker on “strategic storytelling” that is worth your perusal. It sums up everything above nicely.

On the Media from NYC Public Radio offered an interesting radio show, coincidentally aired during my 5.5 hour drive back from the 2022 PMEA Annual Conference in Kalahari/Poconos. They dove into the geometric shapes of stories… and what they have to do with reporting on the pandemic AND perhaps (my perspective) considerations for telling better narratives (including ups and downs) at job interviews: https://www.wnycstudios.org/podcasts/otm/segments/kurt-vonnegut-and-shape-pandemic2

Even the popular website indeed advises us on interview stories: “10 Storytelling Interview Questions With Sample Answers.” This STAR approach is discussed with specific examples of questions and anecdotes:

  • Situation: Describe a situation you experienced in the workplace relevant to the question.
  • Task: Mention a task you had to complete in this situation.
  • Action: Summarize the actions you took to complete the task.
  • Result: Discuss the outcome of your actions.

Finally, here are a handful of YouTube videos… just the tip of the iceberg. Remember that iceberg metaphor? The part that you see above the ocean is the performance, the show, the interview, the product… while the mandatory practice, rehearsals, preparations, and planning take up much more space and are almost never seen. ARE YOU READY TO TELL YOUR STORIES?

Enjoy! Now the ball is in YOUR court!

PKF

© 2022 Paul K. Fox

Daily Ten Minute Warmups

The Three T’s to Build Technique, Key Literacy, and Endurance

foxsfiresides

Just like an athlete’s regular workout to achieve specific goals for improvement in form, strength, and stamina, musicians need to adopt consistent practice habits, and apply a daily routine of the Three T’s:

  • Tuning and slow/long-tone warmup
  • Three Scales a Day
  • Technical Etude or Study

Even if time is very limited, the music directors of the South Hills Junior Orchestra recommend that, at a minimum, every musician spends at least ten minutes a day on a regime of playing scales and at least one technical exercise or etude (usually prescribed by a private teacher) to “maintain their chops,” increase flexibility and resilence, and further their technical proficiency.

The TECH TIP #1 outline below provides a suggested framework to follow (especially suitable for violin, viola, cello, and string players, but adaptable to any instrument).

This involves the following approach:

  • Consistent drill (ten minutes a day, seven days a week)
  • Focused drill (no distractions or interruptions, or it doesn’t count)
  • Repetitive drill (many revolutions and repeats)
  • Creative drill (innovative and inventive: new keys, articulations, rhythms, etc.)

 

How to Practice: “Variety is the Spice of Life!”

Key to this formula is venturing out of your “comfort zone” and exploring the entire “Circle of Fifths” – different key signatures (don’t just play in the same key every day), 400px-Circle_of_fifths_deluxe_4.svgMajor and minor scales, and numerous varied patterns:

  • Repeated notes
  • Unique rhythms
  • Slow to fast tempos
  • Slurs
  • Bowings (strings)
  • Intervals (e.g. scales in thirds, etc.)
  • Arpeggios
  • Dynamics and other expressive markings

Other practice strategies have been previously shared here (click on the “fireside” menu above or go to https://paulkfoxusc.wordpress.com/foxs-firesides/), and offer a host of problem solving techniques suitable for instrumentalists of any age and abilty level.

In addition, here are a few more tips for effective practice:

  1. Play your instrument every day, at least 5-7 times per week. Practicing in short amounts daily is more preferable than “cramming.” Developing technique is much like an exercise workout. Teach your muscles by doing a little bit daily.
  2. Set regular time(s) to practice. Consistency is the key to success.
  3. Find a comfortable, well-lit, quiet place to practice.  No television or telephone interruptions!
  4. Practice standing up, not sitting (except cello players). Remember to keep muscles relaxed and loose.  Relaxation and breathing exercises prior to the start of a practice session can be especially helpful.
  5. Use a mirror to visually check your form and technique. Use a recorder to aurally check your playing.
  6. When trying to improve intonation, play SLOWLY. Try to memorize your music or passage, close your eyes or play in the dark.  By restricting visual input, you may help enhance your aural ability, becoming more sensitive and “attuned” to tuning.
  7. Experts say “start slow and small.” After sight-reading (without stopping) your new selection, break it down into “practice goals” and “problem solve.” At each session, focus on a small section or difficult passage(s). Gradually increase your tempos or add more difficult fingerings/positions/bowings. As you learn each section, overlap your practice goals into repetitive longer “run-throughs” of the music.
  8. Test yourself performing “ten-times-in-a-row” with 100% accurate notes, rhythms and articulations.
  9. LISTEN!  If you are having trouble with an orchestra piece, or a new solo work, buy a recording, research it on YouTube, or try to get one from the library. Even better, get multiple recordings of it so you can hear different interpretations. Then, listen to it a lot.  Listen to it in the car, on your headphones while taking a walk, as background music while talking to a friend, during dinner, etc.
  10. seriestoshare-logo-01Don’t forget that the ultimate goal is not to produce the notes you see on the page as you would type in words on a keyboard—the goal is to produce beautiful music.  Listen to yourself and “make music” as you practice.

SHJO’s mission is all about supporting school music programs. (For more information, about the Southwestern PA community ensemble, please visit www.shjo.org.) Consult your band or orchestra teacher, as well as a private teacher (if you have one) for more detailed instruction on warmups, tuning, scale reading, and etude assignments.

 

Sample Scales

If you do not own a scale book, here are a few guides for string players:

Best wishes on setting up a daily ten minute PRACTICE PLAN!

PKF

Tech Tip #1

Three T’s to Build Technique, Key Literacy, and Endurance

  1. Tuning
  2. Three Scales a Day (two Major and one minor)
  3. Technical Etude or Study

What is needed?

  • SmartMusic, eTuner, or other standalone digital tuner
  • Lists of scales in different keys
  • Supplemental materials (such as Essentials for Strings or Essential Elements 2000 for Strings Book 2 p. 44-45)
  • Violin or Viola Etudes: VIOLIN/VIOLA: Wohlfahrt Foundation Studies Book 1 or Wohlfahrt Foundation Studies Book 2*
  • Cello Etudes: Sebastian Lee or Alwin Schroeder*
  • String Bass Etudes: Simandl*

Other instruments: any etude appropriate to your instrument *(ask your private teacher)

Recommendations

  1. Per daily warm-up, perform two Major scales and one minor scale.
  2. Play one scale slow with focus on natural tone production/vibrato and precise intonation.
  3. lay one scale fast with emphasis on articulation or bowing style.
  4. Play one scale using unique rhythmic, slurring, melodic patterns, shifting or in positions.
  5. Play at least one of the above scales in a flat key (Major or minor).
  6. epending on level of achievement, two octaves is the norm; one octave for novices or playing new keys starting on D (violin), G (viola/cello), A (bass) strings, C (all other instruments); three octaves for advanced string students.
  7. Check off the different keys you play on the Circle of Fifths. (The goal is that all string musicians should be able to play scales in keys of 1-5 sharps and 1 to 4 flats.)
  8. Vary your workout to include a range of expressive elements including articulations (staccato, marcato, legato, spiccato, hooked bows, pizzicato) and dynamics (forte to piano).

Definitions

  • Major Scale: Do-1 Re-2 Mi-3 Fa-4 Sol-5 La-6 Ti-7 Do-8 half steps between 3-4 and 7-8
  • Natural Minor: Do-1 Re-2 Me-3 Fa-4 Sol-5 Le-6 Te-7 Do-8 half steps 2-3 and 5-6
  • Harmonic Minor: Do-1 Re-2 Me-3 Fa-4 Sol-5 Le-6 Ti-7 Do-8 half steps 2-3, 5-6, and 7-8
  • Melodic Minor UP: Do-1 Re-2 Me-3 Fa-4 Sol-5 La-6 Ti-7 Do-8 half steps 2-3 and 7-8
  • Melodic Minor DOWN (same as Natural Minor)
  • Speedy Rhythm Drill (looks like an upside-down pyramid): four sixteenth notes per scale note (up and down), three sixteenths, two sixteenths, and one sixteenth
  • Speedy Slur Drill (looks like a normal pyramid): one quarter note (once up and down), two eighth notes slurred played twice, three notes (triplet) slurred played three times, and four sixteenth notes slurred played four times.
  • Slow-Fast drills: four eighth notes followed by four sixteenths (or vice versa)
  • The 2 + 1 Pattern (or 1 + 2): Triplets Do-Do-Re (or Do-Re-Re), Mi-Mi-Fa, Sol-Sol-La, etc. playing the entire scale using a steady beat in a moderate to fast tempo.
  • The 3 + 1 Pattern (or 1 + 3): Sixteenths Do-Do-Do-Re (or Do-Re-Re-Re), Mi-Mi-Mi-Fa, etc. playing the entire scale using a steady beat in a moderate to fast tempo.

 

For a printable copy of this TECH TIP #1, click below:

Music Tech Tips TEN MINUTES A DAY

 

 

© 2018 Paul K. Fox

Photo credit from Pixabay.com: “Fire” by Alexas_Fotos

 

Does Practice Make Perfect?

Photo credit: FreeImages.com, photographer Alexander Kalina

 

foxsfiresides

Tips on Developing Better Practicing Habits

Every good musician knows that regular practice is a must, but did you know that careless or inattentive practice can actually make you worse?

It is not necessary true that “practice makes perfect” – more likely that “perfect practice develops perfect playing.” Quality not quantity, you say? Your school music teachers will urge you to increase both the quality (focus, attention, goals/planning, etc.) as well as the number of minutes per week. Here are a few hints on improving practicing techniques. Read on… there are many additional resources for parents to guide their musicians to musical mastery!

  1. Designate a quiet place for practice at home
  2. Limit all distractions (TV, video games, computers, phones)
  3. Plan habits of consistent daily practice time(s) and weekly frequency
  4. Make practice goals (what do you hope to accomplish this week?)
  5. Take a few minutes to warm-up (scales, finger patterns, long tones, or lip slurs)
  6. Sandwich method (start at the bottom and work your way up)
    1. Review a song you already know (bottom slice of bread)
    2. Focus on a few “hard parts” (the meat in the middle of the sandwich)
    3. Sight-read something new (condiments, pickles or cheese)
    4. Review another well-prepared song (top slice of bread)
  7. Pizza slices
    1. Identify and prioritize the problems or hard sections
    2. Partition the entire song
    3. Focus on a “slice” of the music – a measure, phrase or line of music – at a time
    4. Drill (daily) on one or a few slices
    5. Next practice session, repeat then progress to next section
  8. Re-order the sections of a piece (scrambling)
  9. Target a difficult passage, play slow at first, then increase tempo gradually each time you play it
  10. Try patterns of instant slow/fast and then fast/slow
  11. Fire up different sections of the brain on a problem spot
    1. Say the letter names out loud (or sing them) – speech center
    2. Bow or tap the rhythms “in the air” – left-side psychomotor
    3. Finger the notes without the bow or mouthpiece – right-side psychomotor
    4. Combine a, b, and/or c on specific passages – all parts of the brain
  12. Create new rhythmic or articulation/bowing variations to challenge your playing of the passage
  13. To improve your musical batting average, implement the Ten-Times Rule (accurately in a-row)
  14. Always add expressive markings including dynamics, tempo and articulation changes, etc.

seriestoshare-logo-01Yes, practicing should be heard at home. It is NOT enough simply to play at school. The long-tested “success equation” is TIME + MAKING PROGRESS = FUN (encouraging more time, progress and fun). Practicing on a regular basis improves technique, musicianship, self-confidence, endurance, reading skills, and besides… playing better is a lot more FUN!

PARENTS: Here are several excellent websites on recommendations for developing better practice skills, but ask your school music director for more advice!

PKF

© 2017 Paul K. Fox

This “Series to Share” is brought to you by… the Founding Directors of the South Hills Junior Orchestra (SHJO), “A Community Orchestra for All Ages” based in Western Pennsylvania. Please feel free to download a printable copy (CLICK HERE) and distribute to music students, parents, teachers, and fellow amateur musicians.

SHJO rehearses most Saturdays in the band room of the Upper St. Clair High School, 1825 McLaughlin Run Road, Pittsburgh, PA 15241. New members are always welcome! For more information, please go to www.shjo.org.