PMEA’s Unique “Together” Conference

The return of in-person gatherings of PA music educators and students!

Here’s a “sneak preview” of the upcoming annual professional development convention for members of the Pennsylvania Music Educators Association (PMEA) and Pennsylvania Collegiate Music Educators Association (PCMEA).

https://www.pmea.net/pmea-annual-in-service-conference/

After being “hunkered down” for two years of online workshops, virtual conferences, digital music industry exhibits, and Zoom rehearsals of PMEA All-State ensembles, we can now “crush COVID-19” with “face-to-face” meetings of the PMEA TOGETHER CONFERENCE on April 6-9, 2022 at the Kalahari Resort in the Poconos.

Not just a “play on words,” this LIVE event brings TOGETHER the awesome and inspiring vision and efforts of the PMEA Professional Development Council, state officers, and staff, along with a twist from tradition – offering a place to getaway from it all!

Ask your spouse or “significant other,” children or grandchildren, nieces or nephews, other fun-loving family members, or close friends if they are available to join you for a three-day escape to the Poconos – “the world’s largest indoor waterpark” at Kalahari Resort! Experience great music, career development sessions, catching-up with colleagues, reconnection with your loved-ones, and entertainment for all ages – all wrapped up in one location.

https://www.kalahariresorts.com/pennsylvania/

Bring the family? Each spacious hotel room comes equipped with two double beds, a pullout sofa, microwave, and refrigerator, and the discounted $149/night conference rate allows you to register up to four people with access to all the resort’s amenities for no extra charge!

What resort amenities? Enjoy rides and slides (lots to “splash in” or just relax on the lazy river), a “big game” room, mini golf, mini bowling, 7-D motion theater, gourmet restaurants, spa, salon, fitness center, and amazing shopping and sightseeing excursions in PA’s northeastern region. While YOU are attending PMEA keynote sessions, clinics, concerts, and exhibits, the rest of your party could be “living it up” on as many as 29 waterpark thrills (from “mild” to “wild,” check out all of them on their website):

  • Anaconda
  • Barreling Baboon
  • Bugs Burrow
  • Cheetah Race
  • Coral Cove
  • Elephant’s Trunk
  • Flowrider
  • Indoor Outdoor Spas
  • Kenya Korkscrew
  • Lazy RIver
  • Lost Lagoon
  • Outdoor Pool
  • Rippling Rhino
  • Sahara Sidewinders
  • Screaming Hyena
  • Shark Attack
  • Splashdown Safari
  • Tiko’s Watering Hole
  • Victoria Falls
  • VR Waterslide
  • Wave Pool
  • Wild Wildebeest
  • Zig Zag Zebra

Source: Pocono Mountains Visitor Bureau

A joyful car trip to local scenes and attractions? The word “Pocono” means “the stream between two mountains.” This region encompasses 2,400 square miles of lakes, rivers, and woodlands just waiting to be discovered. Just how adventurous are you?

  • Explore numerous opportunities to hike, bike, bird watch, ski, fish, and photograph the wildlife, waterfalls, and other breathtaking landscapes.
  • Peruse the various exhibits of local artists at the White Mills Art Factory, 736 Texas Palmyra Highway (Route 6) from 10 a.m. to 5 p.m. (closed Wednesdays).
  • Try your luck at the Mount Airy Casino Resort Spa.
  • Or be a “wandering tourist” and visit nearby Stroudsburg, Milford, Jim Thorpe Honesdale, Lake Wallenpaupack, Hawley, Skytop, Bushkill, Lake Harmony, or Tannersville.
  • Check out this Poconos Mountains interactive map: https://www.poconomountains.com/interactivemap/.

Keynote speakers David Wish and Lesley Moffat

Now down to the business of professional development! In your free time from the above refreshing and re-invigorating moments of “down time,” you won’t want to miss the PMEA general sessions featuring keynoters David Wish of Little Kids Rock and Lesley Moffat, author of Love the Job, Lose the Stress. After opening the music industry and collegiate exhibits, numerous workshops, interactive demonstrations, and panel discussions will be hosted on a variety of “state-of-the-art” and timely topics:

  • Adjudication
  • Assessment
  • Career Development
  • Choral
  • Collegiate
  • Curriculum Development
  • Diversity/Equity/Inclusion
  • Exceptional Learners
  • Health and Wellness
  • Instrumental
  • Leadership/Mentoring
  • Modern Band
  • Music Technology

Draft of proposed 2022 PMEA Conference sessions

Sandwiched in between these clinics and meetings of PCMEA, PA Society for Music Teacher Education, PMEA Council for Teacher Training, Recruitment, and Retention, PMEA Retired Members, Pennsylvania-Delaware String Teachers Association, and others will be opportunities to observe rehearsals and performances of the PMEA All-State Band, Chorus, Jazz, Orchestra, and Vocal Jazz, and attend concerts of guest performing ensembles – among “Pennsylvania’s finest.” Congratulations to:

Looking for that new classroom accessory, concert selection, educational travel group, fundraiser, instrument, technology tool, or uniform, or seeking to talk to representatives from music schools? Take time to visit the exhibits. PMEA thanks the continuing support of its PMEA Corporate Sponsors.

Early-bird registration of 2022 PMEA Conference Exhibitors

Yours truly (blogger) is proud to announce he is presenting three sessions at the conference:

  • CODES, CASE STUDIES, and CONUNDRUMS – The Challenges of Ethical Decision-Making in Education
  • THE INTERVIEW CLINIC – Practicing and Playacting to Improve Your Performance at Employment Screenings
  • RETIREMENT 101 – The Who, What, When, Where, Why, & How of Preparing for Post-Employment

PMEA will need volunteers to assist as presiding chairs or to serve at the INFO BOOTH near registration. In addition, the PMEA Retired Member Coordinator is seeking retirees to help serve on a guest panel of “semi-experts” for the retirement session.

It’s still a little early for much additional detail. However, check out this MOVIE TRAILER preview of the 2022 Conference, featuring The Pennsylvania March composed by PMEA retired member Ron DeGrandis.

As of January 17, 2022 (Martin Luther King Jr. Day), Kalahari Resort room reservations are open! The link to conference registration will be coming soon. For more information, please visit the PMEA website. Keep your eye out for revisions in future PMEA News, UPDATES, and other e-publications.

PKF

© 2022 by Paul K. Fox

Spring is for… Music Conferences!

In our neck of the woods (Allegheny County in Western PA), we are thawing out from what was a pretty mild winter, and welcome the sounds of birds chirping and sights of flowers blooming and grass turning green! Spring is the time for re-birth and growth… including professional development of all kinds for music educators – everyone from pre-service (future music educators) to in-service teachers and even retirees!

Let’s get recharged, re-energized, and re-inspired! Sign-up for one or more of these conferences.

COVID-19 has placed restrictions on all of our PMEA and NAfME venues, and so far, 2021 conferences will be held in a “virtual” platform. This is both good and bad news. The disadvantage remains that we cannot “get close and personal,” shake hands, network, collaborate, and “catch-up” with our friends and colleagues, meet new people, and sight-see places like the Poconos, Erie, Reading, or Pittsburgh! However, the advantage of these online events is that all sessions are being offered “on-demand” for at least several months after each closing event. In the virtual setting, you can take the time and view every workshop at your leisure!

If you have never attended a music education conference, take a moment and review one of these articles:

Yours truly is privileged to present several sessions on some of his “favorite topics” previously posted on this site:

  • Self-Care Cookbook – Reflections, Recipes, and Resources for Teachers (PMEA ANNUAL CONFERENCE)
  • Countdown to Retirement – Preparations for “Living-the-Dream” (PMEA ANNUAL CONFERENCE)
  • Hands-On Conducting (PMEA CRESCENDO FOR STUDENTS)
  • Hop on the E-Train – Essential Ethics for the new Educator (NAfME EASTERN DIVISION)

Update on 5/27/21:

PMEA Summer Conference 2021 – Rejuvenate!

The 2021 PMEA Summer Conference will be held virtually beginning Wednesday, July 21 and concluding on Friday, July 23. Most sessions will be presented live and will be recorded for attendees to access at a later time. 

For more information, go to https://www.pmea.net/pmea-summer-conference/.

PMEA Annual Conference 2021 – Renew!

The PMEA Annual Conference kicks-off on April 14, 2021 for three days and four nights of professional development activities.

PMEA will utilize the same online platform for this event as it did for its 2020 Summer Conference. The virtual annual conference will also include a virtual exhibit hall. With the theme of Renew, the 2021 Conference invites music educators to use this time together to Renew the way you think about music education, to Renew plans for the 2021-22 school year, to Renew connections with fellow music educators, to Renew our hope for a return to making music together, and to Renew our collective passion for the power of music education. All registrants will have access to the majority of the conference content for 90 days. Online registration is available. 

Thursday evening will feature synchronous open forum discussions and an Invited Researcher session with Elizabeth Parker, Temple University, as well as a keynote presentation by Byron Stripling, Principal Pops Conductor, Pittsburgh Symphony Orchestra. The evening will end with college/university receptions, held in the virtual space this year.

Synchronous research sessions will also be available on Friday in the late afternoon/early evening. The Saturday schedule includes a performance by the woodwind quintet WindSync and a presentation by Julie Duty, Founder & Executive Director of United Sound, an organization which offers the solution for music educators who desire to include students with disabilities in their music programs but struggle with the “how” and the “when.”

This year’s event will also include opportunities to network with fellow attendees, as well as an online Music Education Marketplace (exhibit hall) – allowing participants to connect directly with exhibitors within the platform. While the exhibit hall will be “open” the duration of the event, there will be specific hours, beginning Wednesday evening and concluding Saturday afternoon, when the exhibitors will be available for live interaction.

CRESCENDO Virtual Conference for Students

Students in grades 8-12 are invited to participate in the first-of-its-kind PMEA CRESCENDO, an online event to be held on April 17, 2021. Designed for student musicians who are interested in learning about opportunities to make music or find a career in music, the one-day conference will bring together some of the best speakers and teachers from a variety of music worlds.

Keynoters will feature Dave Wish, founder/CEO of Little Kids Rock, and ChaRonDon, rapper/hip-hop artist.

Sessions will include:

  • Careers in music (areas like music therapy, musical theatre, music education, military careers, music performance, music publishing, composition, retail and repair, and music production)
  • Breakout sessions (learning about drum corps, conducting, meet a composer, music technology, song writing, yoga for musicians, rap/hip hop, vocal jazz, leadership, and more!)
  • Masterclasses from experts on their instruments. Students will have the chance to spend some time learning more about their instrument or vocal performance area and get tips from the pros in unique online masterclass settings.

Proposed mini-workshops:

PA STUDENTS interested in participating in PMEA CRESCENDO should fill out this form.

PA MUSIC EDUCATORS recommending a student for this conference should fill out this form.

57th Biennial NAfME Eastern Division Conference

Finally, you won’t want to miss the following week’s frenzy of enriching and enlightening professional development, the 57th Biennial NAfME Eastern Division Virtual Conference!

In addition to the NAfME workshop sessions being only 30-minutes (colleagues sharing quick “tips, techniques, and solutions” and more opportunities to peruse additional sessions), there will be a designated Thursday evening “concert time” with 5 programs to play at 8:45 p.m. (Orchestra, Chorus, Band, Jazz, Modern Band) along with performances from the Division’s colleges and universities. 

The master schedule is posted here. Registration can be completed here. Hope to “see” you there!

© 2021 Paul K. Fox

Coming Soon… Books to Put on Your Reading List

Pixabay spring picture: Crocus-Flower-Spring by MichaelGaida

Audience Etiquette and Manners Matter

How You Act During Public Performances Is a Reflection on Who You Are

foxsfiresides

Almost 30 years ago, an article I wrote for the Upper St. Clair High School Choral Boosters was a lighthearted attempt to address a growing need in public performances – one of improving our audiences’ listening habits and knowledge of musical “traditions,” as well as raising their overall consciousness and sensitivity. Although it now seems a little “retro” and “dated” (texting was not invented yet and tabloids were the fiction of Star Trek and other Sci-Fi programs), it “hits the nail squarely on the head,” identifying the ongoing problem of inappropriate audience etiquette for student, amateur, and professional music, dance, and drama productions.

 

“Uninvited Guests at Performances” (1990)

The painter begins his/her creation on a clean white canvas, void of any dirt, smudges, or imperfections, so that the final art form is pure and readily convey to the viewer. In much the same way, a musician or singer relies on “a clean slate” – that is, a quiet and attentive audience in the concert hall without any stray noises or interruptions that will distract from his/her extremely delicate art form of live music. However, unlike the painter (or unless the concert is recorded and distributed at a later date), music represents only a temporary art… the effects lasting only a moment, and then forever lost until the next time the work is performed. That is why a tradition of concert customs have evolved to “set the stage” for clear communication of that really wonderful expression of music.

However, we have noticed in school and professional performances in our area, several new trends have been born from our fast-paced life styles, overworked schedules, television viewing, and Walkman listening habits. Several uninvited guests have been seen at concerts, unintentionally making life miserable for performers and audience members alike. Do you recognize these “characters?”

angry-32268_1280_Clker-Free-Vector-Images

First of all, there is Gertrude the Gossip and Theresa Talker who spend the entire performance discussing local events or their personal lives. They usually sit in the center section, first row, in order to have the greatest disruptive effect, even though they would be the first to suggest that you were rude for listening in on their conversation. A close relative, Prentice Postmortem, likes to give a “play-by-play” account of the relative success of the concert, with comments like, “Did you hear that wrong note?” and “I wonder why he was chosen for the solo part?”

Then we have several distinguished visitors from the Planet Hypertension, including the “frequent flyers” Leroy the Seat Leaper and Hortence Half-a-Concert and a host of others. Everyone has witnessed spectacular events created by these adults, who have developed the most advanced technique of choosing only the softest or most sensitive moment in the music to jump up and change seats, run down the aisle towards the bathroom or parking lot, or go get something to eat. Somehow, they feel they are being helpful or considerate of the musicians or actors on the stage when they stand up to leave before or during a particular song, often right after their son/daughter performs. Of course, some music directors themselves are contributing to the situation, selling 12-ounce cans of pop and sugar candy at intermission, which are known elements of improving (?) the biochemistry and behavior of young children staying up past their bedtime.

lolly-2020282_1920_yossigee

To add a touch of “color” from a very large pallet of noises, several other guests in the audience feel it is necessary to “perform” along with the singers and instrumentalists. If you sit near the recording or PA microphones or cable TV cameras, you will usually find the boisterous Cyril Cellophane unwrapping candy specially designed to “rattle” everyone’s nerves, along with his friends Velda Velcro and Hildegarde Hum-along, not to mention Winslow WatchBeeper. One of the finest (?) musical moments ever experienced at Upper St. Clair High School was the cacophony of buzzers, chimes, Looney-Tunes™ alarms, and chirps during the slow movements of Handel’s “Messiah” oratorio in the 1987 USCHS Holiday Choral Festival. Performers and conductors have always appreciated the opportunity of setting the exact hour of an ongoing concert using the hourly signals of digital watches in the audience.

And don’t forget those long-time veterans Clem the Clapper, Shouting Sherwood, and Wardella Whistler, who store up their applause for inappropriate moments like between movements, or after the Hallelujah Chorus or Star-Spangled Banner, but leave early so that they missed the curtain calls.

grandstand-1149545_1920_cocoparisienne

All sarcasm and joking aside, performers do appreciate the faithful support of the community. Without the public, lavish Broadway musical productions and extensive choral and instrumental concerts could not be featured. Our talented and hard-working students/musicians/singers/dancers/actors need and deserve large audiences in order to exhibit their craft. The “final exam” of every music ensemble and theater company is the public performance. And, nothing is more demoralizing then spending three months in rehearsal and then performing for only a handful of parents and well-wishers!

However, occasionally it is our job as music lovers to remind everyone the need for concert customs which just add up to good manners. With the bad habits of MTV™ and Muzak™ that music education researchers say may have bred insensitivity and inattentiveness in the indiscriminate consumption of music, we have to focus on providing that “clean slate” – a calm, orderly, and quiet atmosphere of an alert, well-informed audience!

###

 

Yes, “manners matter!” I can still hear my mother scold us, “Don’t be rude. Do you think you were you raised in a barn?”

On the subject of “audience do’s and don’ts,” we will leave the “last word” to http://www.fanfaire.com/rules.html. The following are considered their updated and succinct “Golden Rules” of Audience Etiquette:

  1. Go easy with the atomizer; many people are highly allergic to perfume and cologne.
  2. If you bring a child, make sure etiquette is part of the experience. Children love learning new things.
  3. Unwrap all candies and cough-drops before the curtain goes up or the concert begins.
  4. Make sure beepers, cellphones, and watch alarms are OFF. And don’t jangle the bangles.
  5. The overture is part of the performance. Please cease talking at this point.
  6. Note to lovebirds: When you lean your heads together, you block the view of the person behind you. Leaning forward also blocks the view.
  7. THOU SHALT NOT TALK, or hum, or sing along, or beat time with a body part.
  8. Force yourself to wait for a pause or intermission before rifling through a purse, backpack, or shopping bag.
  9. Yes, the parking lot gets busy and public transportation is tricky. But, leaving while the show is in progress is discourteous.
  10. The old standby: Do unto others as you would have them do unto you.

smartphone-407108_1920_SplitShire

Here are several things to add to their guidelines – NO TEXTING, not even turning on your smartphone or iPad for a moment to look at the time or your messages. The light from the screen is very distracting to everyone in the auditorium and the performers on the stage! In addition, flash photography is generally prohibited, and may even be dangerous to the performers (can cause accidents!). Finally, any audio/video recording of the event may be an infringement of copyright law. (Don’t do it!)

In conclusion (from fanfare.com): “Remember, part of one’s pact as an audience member is to take seriously the pleasure of others, a responsibility fulfilled by quietly attentive (or silently inattentive) and self-contained behavior. After all, you can be as demonstrative as you want during bows and curtain calls.”

Here are more links to explore for teachers, practitioners, and supporters of music:

hi-res logo 2018

###

The mission of South Hills Junior Orchestra, which rehearses and performs at the Upper St. Clair High School in Pittsburgh, PA, is to support and nurture local school band and orchestra programs, to develop knowledge, understanding, performance skills, and an appreciation of music, to increase an individual member’s self-esteem and self-motivation, and to continue to advance a life-long study of music. Members of the Orchestra learn, grow, and achieve positions of leadership to serve their fellow members.

(For more information about SHJO, please visit www.shjo.org.)

This and all Fox’s Fireside blog-posts are free and available to share with other music students, parents, directors, and supporters of the arts.

Click here for a printable copy of “Audience Etiquette and Manners Matter.”

Other “Fox Firesides” are available at https://paulkfoxusc.wordpress.com/foxs-firesides/.

seriestoshare-logo-01

© 2018 Paul K. Fox

Photo credits in order from Pixabay.com: “fireplace” by joseclaudioguima, “angry” by Clker-Free-Vector-Images, “lolly” by yossigee, “grandstand” by cocoparisienne, and “smartphone” by SplitShire.