Samples of “Creativity” in Education Journals
In the continuation of this “calling” — my life’s mission on spreading the importance of fostering creativity in education, and finding research (and hands-on) material on the related subjects of innovation, inventiveness, curiosity, flexibility, adaptability, critical thinking, artistry, and self-expression — here is a library of more resources.
The lists below by no means serve as an inclusive or comprehensive bibliography! Some of these articles and authors have been cited before in my past blog-posts. Speaking of which, if you have not read them, take a moment and examine these:
- Creativity in education – Are we ready for a new paradigm shift?
- Creative teaching and teaching creativity – PART I – How creative are you?
- Creative teaching and teaching creativity – PART II – Definitions & rationale
- Creative teaching and teaching creativity – PART III – Creative techniques
- Arts advocacy
- 52 creative tips to “supercharge” the school musical
- Creativity in schools revisited
- More creativity resources
- If I were a school superintendent
- Lessons in creativity
- More lessons in creativity
- Lessons in creativity III
- ESSA, PDE, and lessons in creativity IV
- What is the National Creativity Network?
So, what are you waiting for? Click and go! Get out there and peruse this “content” to your heart’s “content!”

What Started it All…
When I began this blog on creative teaching and learning four years ago, I was initially inspired by the February 2013 issue of ASCD Educational Leadership. I am amazed to find that today many of these articles remain “unlocked” and available via the Internet, although I do not know how long they will remain “free” to nonmembers. (See links below.) Anyone who is interested in further study of imaginative approaches to make learning more interesting and effective (“teaching creatively”) and strategies of teaching that are intended to develop students’ creative thinking or behavior (“teaching for creativity”) should purchase the entire journal or become a subscriber/member of ASCD: http://www.ascd.org/publications/educational-leadership/feb13/vol70/num05/toc.aspx.
- Perspectives/Who’s Creative by Marge Scherer http://www.ascd.org/publications/educational-leadership/feb13/vol70/num05/Who’s-Creative%C2%A2.aspx
- Fundamental of Creativity by Ronald A. Beghetto and James C. Kaufman http://www.ascd.org/publications/educational-leadership/feb13/vol70/num05/Fundamentals-of-Creativity.aspx
- The Art and Craft of Science by Robert Root-Bernstein and Michele Root-Bernstein http://www.ascd.org/publications/educational-leadership/feb13/vol70/num05/The-Art-and-Craft-of-Science.aspx
- A Recipe for Artful Schooling by Eric Booth (locked)
- Assessing Creativity by Susan M. Brookhart http://www.ascd.org/publications/educational-leadership/feb13/vol70/num05/Assessing-Creativity.aspx
- The Case for Curiosity by Susan Engel http://www.ascd.org/publications/educational-leadership/feb13/vol70/num05/The-Case-for-Curiosity.aspx
- The Uncommon Core by Jason Ohler (locked)
- Creativity on the Brink by Alane Starko http://www.ascd.org/publications/educational-leadership/feb13/vol70/num05/Creativity-on-the-Brink%C2%A2.aspx
- Connecting Creativity to Understanding by Lois Hetland (locked)

Creativity in Music Education from NAfME
Just when I thought I have seen everything, the March 2017 issue of MEJ (Music Educators Journal) arrived in my mailbox. What a joy! The articles on creativity and music education are listed below. Become a member of the National Association for Music Education (NAfME) to receive full access to this journal.
The best introduction and summary to this series is provided by Katherine Strand (first reference below). She poses the challenge, “Ask yourself how you and your students can be more creative in both the classroom and your own lives.”
- MEJ March 2017: Introduction – Looking Forward to a Creative Future by Katherine Strand
- MEJ March 2017: Learning to Be Creatively Expressive Performers by Katherine Strand and Brenda Brenner
- MEJ March 2017: The Neuroscience of Improvisation by Andrew T. Landau and Charles T. Limb
- MEJ March 2017: Music Listening is Creative by John Kratis Brenner
- MEJ March 2017: Developing Musical Creativity Reflective and Collaborative Practices by Lisa M. Gruenhagen Brenner
- MEJ March 2017: Developing Musical Creativity through Improvisation in the Large Performance Classroom by Martin Norgaar
“In the hubbub of everyday teaching, we sometimes forget that each time we look at a child, we are actually looking at the child in the moment as well as the future young adult, the middle-aged working professional, the parent, the grandparent, and the retiree. But that is our job – to see the child as he or she is and also consider what this young person could be and what possible future awaits him or her…
“But what should we pin our hopes on, and what are the positive choices that those who graduate from our schools may have when they leave our music programs? As British author Kenneth Robinson, an international advisor on education in the arts, stated in a 2006 TED talk, we cannot know what futures our students will face, but we do know that they may find a variety of professions and many livelihoods. We hope some of our students will become professional musicians, but realistically, only a small percentage will follow this path. Given that fact, we need to consider how our impact on our students can be broadened – how we may help them reach the best possible futures for themselves.”
— Katherine Strand, Associate Professor of Music and Chair of the Music Education Department in the Jacobs School of Music, Indiana University, Bloomington

Other Contributions from Educational Journals
Finally, I wanted to include a few of these older releases, still very relevant and thought-provoking.
- Kappan November 2013 Visual Thinking Strategies = Critical and Creative Thinking by Mary Moeller, Kay Cutler, Dave Fiedler, and Lisa Weier
- Kappan September 2012 Flunking Innovation and Creativity by Yong Zhao
- Kappan October 2010 Learning to Be Creative
- Kappan June 2002 Test Scores, Creativity, and Global Competitiveness by Gerald W. Bracey
- MEJ May 1990: Creative Thinking in Music by Peter Webster (2 articles)
- MEJ May 1990: What is Creativity? What is it Not? by Alfred Balkin
- MEJ May 1990: Structuring the Music Curriculum for Creative Learning by John Kratis
- MEJ May 1990: Strategies for Fostering Creative Thinking by Janet L. S. Moore
- MEJ May 1990: Crosscultural Perspectives of Musical Creativity by Patricia Shehan Campbell
- MEJ May 1990: Tools and Environments for Musical Creativity by Lyle Davidson
Do you have any “favorite” articles about the pursuit of creativity in the schools? Please feel free to share your recommendations by writing a comment to this blog. Thanks!
PKF

© 2017 Paul K. Fox

As we progress through our “golden years,” you may have noticed you had to switch roles with your parents or other elderly relatives… you’re becoming more the parent, advisor or “boss,” and they are more needy and have reverted to being the “child!”

prioritize what’s the most important, and define several new “practice plans.”
Your practice should have well-defined goals. What do you want to learn as a musician? Are there particular pieces of music, styles, or technical skills you would like to be able to play? Knowing what you want to accomplish will help you decide what work is needed and assist defining specific learning targets. If you have a private teacher, he/she will automatically prescribe objectives for you, based on your present strengths and weaknesses. But if you desire to join the local youth symphony, participate in a music festival, play in a pit orchestra, perform solos or chamber music, become a conductor, help coach your peers, or want to improve a specific technical skill or general musicianship, make sure your teachers know it! They may be able to share warm-ups, strategies, or practice materials that will help you improve and expand your knowledge, technique, expressiveness, sight-reading and ear training.

As a “professional,” you have an open, inquisitive mind, constantly strive for self-improvement, continuing education, and retooling, embrace change and better ways of doing something, and “practice” your craft. This means you read your educational publications from cover to cover. For example, these were a few of the tips in a recent PMEA News article, “I’ve Got an Interview, Now What?” shared by Dr. Kathleen Melago, PCMEA State Advisor and Associate Professor of Music Education at Slippery Rock University, and Doug Bolasky, retired band and orchestra teacher and former Department Chair of the Southern Lehigh School District:


It can’t get any better than this! Probably the most comprehensive one-stop vault of articles and “friends of NRN” sources for further study, the NCN provides an extensive collection of creativity tools: news stories (still current as of the week of April 7, 2017), quotes, webinars, blog-posts, past competitions like the USA Creative Business Cup, and a Board of Directors from across North America including many “giants in the field” like one of my heroes Sir Ken Robinson (California), along with George Tzougros (Wisconsin), Margaret Collins (North Carolina), Steve Dahlberg (Connecticut), Carrie Fitzsimmons (Massachusetts), Peter Gamwell (Ottawa, Canada), Jean Hendrickson (Oklahoma), Wendy Liscow (New Jersey), Susan McCalmont (Oklahoma), Robert Morrison, Scott Noppe Brandon, David O’Fallon (Minnesota), Andrew Ranson, Susan Sclafani (Washington D.C.), and Haley Simons (Alberta, Canada).
According to their website, 
Spark local, regional, state and provincial, and national movements to create environments—in homes, schools, workplaces, communities and public offices—where every person is inspired to grow creatively.
When I was teaching full-time school orchestra music grades 5-12, the following conversation by students in my program may have been shared at the dinner table. “He wants me to spend time and listen to several outstanding players. I was a little embarrassed when he called on me in class and asked, ‘Who is your favorite violinist?’ and I could not identify a single principal string player or even the current Concertmaster of the Pittsburgh Symphony Orchestra!”
Pittsburgh has a strong cultural base, providing a home for the world-class Pittsburgh Symphony Orchestra and Pops, the Pittsburgh Ballet and Pittsburgh Opera companies, and the Pittsburgh Civic Light Opera productions, to name a few venues. We are also most fortunate that many amateur or semi-professional groups such as the Pittsburgh Civic Orchestra, Washington Symphony, and River City Brass Band are local (some concerts presented conveniently next door in the Upper St. Clair HS Theatre). Professional soloists and chamber groups visit our city nearly every month, and opportunities to enjoy free concerts are limitless on cable/FiOS television and WQED.
Reprinted from the Winter 2016 PMEA News, the state journal of the Pennsylvania Music Educators Association.
“Dogs in particular can reduce stress, anxiety, and depression, ease loneliness, encourage exercise and playfulness, and even improve your cardiovascular health.”
Once you reach full retirement, you may find yourself with a lot more “freedom” and time “at-home” to share with your spouse, other loved ones (babysitting grandchildren/ nieces?), friends, personal music-making, hobbies, and pets! Indeed, this may be the first chance you have to go out and rescue a dog from an animal shelter. Full-time music teachers with those incredibly packed schedules of after-school/evening marching band practices, choir, band, orchestra, jazz, musical, and/or dance rehearsals and performances, their own concert gigs, private lessons, etc. may not be able to properly care for a dog by themselves. The only reservation to bringing a new dog into your home is if you plan to take a lot of long trips in retirement. Perhaps then, you can revisit the option of animal adoption after taking several cruises, safaris, and cross-country road trips. Pets need your love and attention!
Several of my own experiences “learning and growing” with Brewster (a yorkie-poo) and Gracie (a bichon frise), “new children” added to my household immediately after retirement, are shared at
So f
or what are you waiting? Go out and find a dog or cat to rescue… or at least pet one! You’ll be glad you did!

The annual PMEA Spring Conference will be held on April 19-22, 2017 at the Erie Bayfront Convention Center. These sessions may be “perfect for PCMEA!”
First things first! Prepare yourself in advance. Grab your winter or spring issue of PMEA News. Review the program of sessions which is usually laid out in chronological order and also by content strands (e.g. advocacy, choral, classroom music, collegiate, curriculum development/assessment, higher education research, instrumental, music technology, World Music, and special interest topics), as well as the list of keynote speakers, guest clinicians, showcase (music industry) demonstrations, association meetings (like PCMEA), and performances. Using an “old-fashioned” 20th century tool, mark up the conference schedule with two different colors of highlighter marking pens, first targeting “high interest” areas in yellow, and then “must attend” events in hot pink or other favorite color.
DON’T focus exclusively on attending sessions or concerts in your specialty or most proficient areas, such as band if you’re a woodwind, brass or percussion major, orchestra if you are a string player, general music/choral if you are a vocalist or pianist. DO go to sessions that are not directly related to your major. You might be surprised at the connections you discover or the new interests that arise. Imagine “they” want to hire you next year as the next middle school jazz coach, HS marching band show designer, choreographer for the elementary musical, conductor of the string orchestra, teacher of AP music theory, etc. Could you select music for an elementary band (or choral) concert, create a bulletin board display for a middle school general music unit, set-up a composition project, or lead folk dancing at the kindergarten level?
DON’T be shy! A conference is no place for being timid or afraid to start up a discussion with a more experienced music teacher. PMEA is all about circulating and introducing yourself, exhibiting your “charming self,” exploring resources and who are the experts/leaders in music education, getting the “lay of the land,” and adding as many names and emails to your professional contact data base as possible. Of course, DO follow-up with anyone who suggests that there may be a future employment posting from their school district!
elf and ask a thoughtful question on some issue about which you are curious or found interesting.

Yes, practicing should be heard at home. It is NOT enough simply to play at school. The long-tested “success equation” is TIME + MAKING PROGRESS = FUN (encouraging more time, progress and fun). Practicing on a regular basis improves technique, musicianship, self-confidence, endurance, reading skills, and besides… playing better is a lot more FUN!

is the most essential “tech tool” to maintain your “now busier than ever” daily/weekly plan.
r as changing my passwords. Everyone knows, with hackers lurking around every corner of the Internet, you are supposed to do two things: have a different password for each application, and from time to time, change these passwords. They should not be something someone else could guess, like “1234” or your phone number or the nickname “foxy” for me. A “good” password should utilize numbers, capitalized letters and small-case, and special characters like $, &, or underline. Using a password manager program like
Girls three-part movie or The Crown (Netflix), all I have to do is go into another room, fire up my computer’s browser, and check out the latest video podcast of
One of my hobbies furthest from a career in music education has to do with collecting and reading books about World War II, particularly U.S. Navy, submarines and surface fleet. One of my fellow hospital volunteer escorts, a veteran of the Vietnam war, turned me on to the free classic online episodes of T.V. series The Silent Service, for example the 25-minute 1957 broadcast of 
Powered by artificial intelligence, other voice-activated virtual assistants and knowledge navigators including products like Google Home and Amazon Echo (with a different “girlfriend” named “Alexa”) are flooding the market. This should be no surprise… the 21st Century seems to be developing many new inventions of super-automation, not so far from the female-voiced computer interface on the USS Enterprise (Star Trek) that could control everything. Soon you may take a ride from Uber in a driver-less car or “program” the autopilot on your pure-electric Tesla. Do you foresee the time when you will accept your Amazon merchandise or pizza being delivered from the air? What were those drone-operated lights we saw in the background of Lady Gaga’s halftime performance at the 2017 Super Bowl… possible future special effects for HS musicals and marching band shows?